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 Cercle 1 - Arc 1 à 3 et Cercle 2 ; Arc 1 / Suite à venir.  | 
				 Ajout des transcriptions en VO.  | 
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==Transcription VO==  | |||
<toggledisplay hidetext=[Masquer]> '''Circle 1, Arc'''   | |||
SUPERINTENDENT:  HELLO, TRAVELER.  MOMBASA WELCOMES YOU!  ANXIOUS?  | |||
STRESSED?  PLEASE REMAIN CALM.  CONTROL CIRCUITS NOW OPEN -- WITH PRIDE!  | |||
[SOUND:  Vergil chime.]  | |||
[SOUND:  Trains whistle as morning commuters crowd the station.]  | |||
KIOSK: (from speaker) Hello, traveler!  The Mombasa Transit Authority  | |||
welcomes you to Kikowani station.  How may I serve you?  | |||
SADIE:  One ticket to Old Mombasa, please.  Here's my card--  No, scrap that.  | |||
Traceable.  | |||
SADIE:  Damn it!  Coins, need coins...[Puts coins in the kiosk.]  | |||
KIOSK:  Thank you!  What is your final destination?  | |||
SADIE:  Magongo, if I don't get caught...Hell, if I do.  | |||
KIOSK:  Thank you!  Transport for one to Magongo!  | |||
SADIE:  Let's go, let's go!  | |||
KIOSK:  Please collect your ticket.  | |||
SADIE:  Wait!  Hold the doors, please!  | |||
[SOUND:  train doors slid shut.]  | |||
TRAIN: (from speakers) All aboard Train number 14.  | |||
SADIE:  That was close...  | |||
TRAIN:  Next stop-- Makupa, Nairobi Road, Hope Station and Magongo-- end   | |||
of the line.  | |||
SADIE:  Almost there... almost--  | |||
[SOUND:  Train squeals to a stop.]  | |||
SUPERINTENDENT: (from train) EMERGENCY STOP.  PLEASE REMAIN CLAM.    | |||
EMERGENCY STOP --  | |||
SADIE:  Damn it!  He found me.  | |||
'''Circle 1, Arc 2'''  | |||
[SOUND:  Train grinds to a stop.]  | |||
CROWD:  Is something wrong?  | |||
CROWD:  How long are we going to sit here?  | |||
SUPERINTENDENT: (from train) EMERGENCY STOP.  PLEASE REMAIN CLAM.    | |||
EMERGENCY STOP--  | |||
SADIE:  Vergil, you can't stop the train!  There are other people on board!  | |||
SUPERINTENDENT: (distorted) EMERGENCY STOP--  | |||
SADIE:  Cut it out, Vergil!  | |||
PASSENGER:  What are you doing, crazy lady?  Talking to the train?  | |||
SADIE: (to Vergil) I wouldn't even be here if you hadn't kept turning all   | |||
the traffic signals red!  | |||
SUPERINTENDENT: [Vergil chime.] DETOUR!  PROCEED WITH CAUTION!  | |||
PASSENGER:  Whoa.  Wait... Train's talking back to you now?  What the  | |||
heck's going on?  | |||
SADIE:  Sir, I'm really sorry about this.  I was just trying to get out of  | |||
the city.  | |||
SADIE: (whisper) Vergil, I am going to enlist!  | |||
SUPERINTENDENT:  WATCH YOUR SPEED!  CHILDREN AT PLAY!  | |||
SADIE:  I'm nineteen.    | |||
SADIE:  And besides, the UNSC is taking everyone it can get!  | |||
SUPERINTENDENT: [plays recording of traffic accident.]  | |||
SADIE:  That's exactly what Dad would say!  | |||
PASSENGER:  You know...train's got a point.  A lot of soldiers are dying   | |||
these days.  | |||
SADIE:  He's not a train, he's a city.  | |||
SADIE: (whisper, to Vergil) A bad, bad city!  | |||
SUPERINTENDENT:  [whines like a puppy.]  | |||
SADIE:  That worked when I was a kid, Vergil.  Open the doors, now!  | |||
[SOUND:  Train doors hiss open]  | |||
CROWD:  What was that all about?  | |||
CROWD:  Great, so now we have to walk to the station?  | |||
CROWD:  Out of my way!  Let me through!  | |||
SUPERINTENDENT:  NOW DEPARTING, HOPE STATION.  LEAVING, HOPE STATION--  | |||
SADIE:  Vergil... go to hell.  | |||
[SOUND:  Crackling roar of Covenant slip-space rupture]  | |||
CROWD:  The Covenant!  Run!  | |||
CROWD:  Mommy!  What's happening?  | |||
CROWD:  They're!  They've found us!  | |||
SADIE:  Scratch that... Hell just came here.  | |||
'''Circle 1, Arc 3'''  | |||
[SOUND:  Cars honk, crowd panics as a Covenant carrier passes overhead.]  | |||
CROWD:  Move!  The Covenant are coming!  | |||
CROWD: Please, mister, you gotta take me!  Get me outta here!  Please!  | |||
Wait!  | |||
CROWD:  Can I use your chatter?  I gotta call my family!  | |||
CROWD:  I told'em!  I told'em this was gonna happen!  They don't listen, and  | |||
now we are all going to die!  | |||
SADIE: (into Chatter) Vergil?  Can you hear me?  I'm on my Chatter.  But   | |||
I'm off the train in Old Mombasa and--  | |||
SUPERINTENDENT: (from Chatter) NO PARKING.  VIOLATORS WILL BE TICKETED AND  | |||
TOWED.  | |||
SADIE:  I know!  I can see it!  A giant Covenant ship, just hanging above the  | |||
city center!  | |||
SADIE:  There's a kiosk on the platform!  Makupa station.  Meet me there,  | |||
okay?  | |||
SUPERINTENDENT: [Vergil chime.]  | |||
SADIE: (pushing through the crowd) Excuse me!  Sorry.  Hey!  Watch it,   | |||
mister!  | |||
KIOSK:  (from speaker) Please state your destination.  | |||
SADIE:  Vergil, give me eyes on Dad!  Quick!  | |||
KIOSK:  I'm sorry.  I didn't recognize that-- [distortion]  | |||
DR ENDESHA: (from kiosk) Sadie?  Where are you?  | |||
SADIE:  Train station.  Old Mombasa.  Dad, there's a ship--  | |||
DR ENDESHA:  Listen sweetheart.  I wanted to tell you at breakfast, but you   | |||
left so early...  | |||
DR ENDESHA:  You know my latest project?  The seismic survey for the new  | |||
construction downtown?  | |||
SADIE:  Dad!  There's a Covenant ship--  | |||
DR ENDESHA:  Well, Vergil found something under the city.  I've never seen  | |||
anything like it--  | |||
SADIE:  Dad!  Covenant are attacking the city!  Do you hear what I'm saying!  | |||
You've got to get out of there!  | |||
DR ENDESHA:  Don't worry, I'm nine levels underground.  And I built Vergil's  | |||
data-center to be very, very secure.  | |||
SADIE:  Fine.  Then I'll come to you.  | |||
DR ENDESHA:  No!  Absolutely not!  Stay exactly where you are!  I'll have  | |||
Vergil--  | |||
SADIE:  Sorry Dad! (fakes static) There's, uh, something wrong...  | |||
DR ENDESHA:  This is a video connection, Sadie.  I can see you making those  | |||
sounds.  | |||
SADIE:  Right... Well, tough!  | |||
SAID:  Vergil, get that train going in reverse!  | |||
DR ENDESHA:  Sadie Endesha.  I will not allow you to put yourself in danger--  | |||
[SOUND:  Whistle of Covenant plasma fire]  | |||
DR ENDESHA:  What's that noise?  | |||
SADIE:  Uh oh... Incoming!  | |||
[SOUND:  Covenant plasma fire slams into station.]  | |||
'''Circle 2, Arc 1'''  | |||
[SOUND:  Covenant plasma fire slams into station.]  | |||
CROWD:  They blew up the train!  | |||
CROWD:  No!  My husband was on board!  | |||
CROWD:  Screw you!  I'm outta here!  | |||
[SOUND:  Siren wails as a police car pulls up to the curb beside the   | |||
station.]  | |||
SADIE: (moves through the crowd to street, coughs) Ow!  Hey!  Stop   | |||
pushing!  | |||
KINSLER: (from police car) Sadie?  Miss Endesha, is that you?  | |||
SADIE:  Commissioner Kinsler!? [to crowd] Ow!  Get off of me!  | |||
KINSLER:  Officer Branley!  Control this crowd before they trample her into  | |||
the sidewalk!  | |||
MIKE: (exiting car) Yes, sir!  | |||
MIKE:  NMPD!  Everyone back off!  | |||
CROWD:  Lousy cops.  | |||
CROWD:  Hey!  Give us your car!  | |||
MIKE:  I said, back off! (Fires pistol into the air)  | |||
MIKE: (to Sadie) Are you hurt?  | |||
SADIE:  No, I'll be alright...  | |||
CROWD:  Hey, why don't you help us?  | |||
CROWD:  Yeah, give us your car, cops!  | |||
KINSLER:  Branley!  Get her inside!  | |||
MIKE:  Take my hand.  We gotta go.  | |||
[SOUND:  Sadie and Mike enter the car and slam the doors.]  | |||
KINSLER:  What the devil are you doing out in the old city?  | |||
SADIE:  There was...something wrong with the train.  | |||
KINSLER:  You don't say...  | |||
KINSLER: (laughs) I know all about Vergil and his overprotective urges,  | |||
Sadie.  | |||
[SOUND:  Angry crowd pounds on the car]  | |||
KINSLER:  Branley!  Drive!  | |||
MIKE:  Yes sir! [Honks car horn.] What's our destination?  | |||
KINSLER:  That's a very good question...  | |||
SADIE:  My dad.  He's at work.  | |||
KINSLER:  The data-center below the ONI building?  | |||
KINSLER:  No, I don't think so.  There are too many Covenant in that  | |||
district.    | |||
KINSLER:  I'd like to take you someplace much more... private.  | |||
[SOUND: Police car accelerates away from the station.]  | |||
'''Circle 2, Arc 2'''  | |||
[SOUND: Police car accelerates away from the station.]  | |||
KINSLER:  Branley?  The partition, if you please.  | |||
MIKE:  Yes, sir... [Raise the privacy partition]  | |||
SADIE:  Where are we going?  | |||
KINSLER:  The police department has an emergency bunker outside the city  | |||
limits.  We'll be very safe.  | |||
SADIE:  That's very kind of you, Commissioner.  But I can't, I'm sorry.  If  | |||
you would please take me to the city center--  | |||
KINSLER:  Such a serious young women.  Just like your mother... 'New   | |||
Mombasa's most passionate public defender.'  | |||
KINSLER:  Too bad her last client really was a sick, murdering bastard.  | |||
KINSLER: (sliding across the seat closer to Sadie) She had your eyes...  | |||
SADIE: (into her Chatter) Vergil, stop the car!  | |||
KINSLER:  As police commissioner it’s my job to uphold the law.  And I'm   | |||
afraid this city has very strict, personal privacy statues.  | |||
KINSLER:  My car is off the grid, Sadie.  As far as Vergil is concerned,  | |||
you just disappeared...  | |||
[SOUND:  Sadie slaps Kinsler's face]  | |||
KINSLER: (laughs) Assaulting a police officer.  That's a serious offence.  | |||
SADIE:  Don't come any closer!  | |||
KINSLER: (laughs) Just like your mother...  | |||
SADIE: (struggling) Let go of me!  | |||
KINSLER:  It's the end of the world...  | |||
SADIE:  Vergil!  Please!  Somebody!  | |||
KINSLER:  Nobody cares what happens to one...lost...soul!  | |||
[SOUND:  Tires squeal as the car comes to an abrupt stop]  | |||
KINSLER:  Officer!  Why are we stopping!  Keep going!  | |||
[SOUND:  Mike exits the car and opens Kinsler's door]  | |||
MIKE:  Get out.  | |||
KINSLER:  What?!  | |||
MIKE:  You heard me... [Grabs Kinsler]  | |||
KINSLER:  Let go of my coat!  What do you think you're doing?  | |||
MIKE:  My job.  | |||
[SOUND:  Mike punches Kinsler, knocking him to the ground]  | |||
SADIE:  I hope that hurt, you son of a bitch!  | |||
KINSLER: (panting) Not as much as you're going to hurt when I--  | |||
[SOUND:  Mike punches Kinsler again.]  | |||
MIKE:  Commissioner, I'm taking the car.  | |||
MIKE:  You want to get out of the city?  You can walk like everyone else.  | |||
[Enters car, slams door]  | |||
KINSLER: (spitting blood) You'll pay for this, Branley!  | |||
MIKE:  It's the end of the world...  Nobody cares what happens to you.  | |||
[SOUND:  Tires squeal as the car pulls away from Kinsler.]  | |||
'''Circle 2, Arc 3'''  | |||
[SOUND:  Mike lowers the privacy partition.]  | |||
MIKE:  You okay back there?  | |||
SADIE:  Thanks for...pulling him off me.  | |||
MIKE:  Kinsler had it coming.  I've been his driver for two weeks?  Seen   | |||
enough to last a lifetime...  | |||
MIKE:  Name's Mike.  Mike Branley.  | |||
SADIE:  Sadie Endesha.  | |||
SADIE:  You know for a cop, you make a pretty good guardian angel.  | |||
MIKE:  Ex-cop.  | |||
SADIE:  Yeah...  Sorry about that.  | |||
MIKE:  Ah, I was looking for a career change anyway.  | |||
SADIE:  How about solider?  | |||
[SOUND:  Distant explosions in the city.]  | |||
MIKE:  Does seem like a growth sector...  | |||
SADIE:  Mike.  I need to get back over the bridge, to the ONI building  | |||
downtown.  | |||
MIKE:  Well that's a problem, because I need to keep away from Covenant  | |||
plasma fire.  | |||
SADIE:  OK...just drop me off here.  | |||
MIKE:  Don't be stupid!  What are you going to do?  | |||
MIKE:  Fight your way through a few million refugees just so the Covenant can   | |||
kill you a little faster?  | |||
SADIE: (whisper) And this is why you always bring cab fare on a first   | |||
date...  | |||
MIKE:  I'm trying to save your life!  | |||
SADIE:  You're trying to save your own ass!  | |||
MIKE:  And yours!  | |||
SADIE:  I think I'm the only person in this car who needs to be thinking   | |||
about my ass!  | |||
MIKE:  Fine.  | |||
SADIE:  Fine!  | |||
[SOUND:  Tires squeal as the car comes to an abrupt stop.]  | |||
SADIE: (opening her door) Thanks for saving me for, like three minutes!  | |||
MIKE:  You're welcome!  | |||
[SOUND:  Sadie slams her door, Mike drives away.]  | |||
SADIE:  Well...I sure showed him.  | |||
'''Circle 3, Arc 1'''  | |||
[SOUND: Tires squeal as Mike's car pulls away from Sadie.]  | |||
SADIE:  Great.  I'm stranded on the wrong side of the bridge in the middle  | |||
of an alien invasion...  | |||
SADIE:  And I just pissed-off the only person willing to help me out.  | |||
SADIE:  Go me.  | |||
[SOUND:  A goat near Sadie bleats.]  | |||
SADIE:  My feeling exactly...  | |||
CROWD:  Move those animals!  | |||
CROWD:  Step aside!  Let us pass!  | |||
CROWD:  Clear those out of the street, we need to move!  | |||
SADIE: (into her Chatter) Dad?    | |||
DR ENDESHA: (from the Chatter) Sadie?  Thank God!  Vergil couldn't find you  | |||
anywhere!  | |||
SADIE:  Yeah, you can thank Kinsler for that.   | |||
DR ENDESHA:  Police Commissioner Kinsler?  What do you mean?  | |||
SADIE:  I don't want to talk about it...  | |||
JONAS:  Get your kebabs here!  | |||
SADIE:  Oh my God!  | |||
DR ENDESHA:  What?  What is it, Sadie?  | |||
SADIE:  The biggest man I've ever seen!  | |||
DR ENDESHA:  Where are you?  | |||
SADIE:  The Old Town Market.  A butcher is giving away his food.  | |||
SADIE:  Too bad it won't keep the Covenant from glassing the city...  | |||
DR ENDESHA:  They won't glass the city!  | |||
SADIE: (walking to the butcher) Hang on, dad...  | |||
DR ENDESHA:  I'm in contact with an ONI officer.  She thinks these Covenant  | |||
are just a reconnaissance force.  | |||
DR ENDESHA:  And I think they are looking for the same thing Vergil found  | |||
in his seismic survey!  | |||
SADIE:  Dad, I'll call you back.  | |||
[SOUND: Honking car horn]  | |||
ANGRY DRIVER:  Move, you oaf!  Get that table out of the road!  | |||
JONAS:  Calm yourself, friend.  Stop honking (laughs) and have a kebab.  | |||
ANGRY DRIVER:  For the last time, move your fat ass--  | |||
[SOUND:  The car creaks as Jonas leans on the hood]  | |||
ANGRY DRIVER:  Hey!  Get off my car!  | |||
JONAS:  My friend, I am an eight hundred pound man with a large cleaver who  | |||
kills animals every day and chops them into pieces.  | |||
JONAS: (laughs) Do you really want us to be enemies?  Or would you rather  | |||
have a nice kebab?  | |||
'''Circle 3, Arc 2'''  | |||
[SOUND: Bleating goats and a honking car horn.]  | |||
CROWD:  Mommy, that's too loud!  | |||
CROWD:  Somebody make him stop!  | |||
CROWD:  Move that car!  | |||
ANGRY DRIVER: (honks) For the last time, you blimp!  Get out of the road!  | |||
[SOUND:  Jonas hefts his cleaver and smashes it into the car.]   | |||
ANGRY DRIVER:  You put your cleaver through the hood of my car!  | |||
JONAS:  Oh, a thousand pardons.  But it was either that or smash your  | |||
windshield, pull you out...  | |||
JONAS:  And make you into kebabs.  | |||
ANGRY DRIVER:  What?  No!  No-no!  Hey wait!  | |||
JONAS:  Then please, stop honking your horn.  It frightens the children.  | |||
[SOUND:  The car backs-up quickly.]  | |||
SADIE: (into her Chatter) Sorry, Dad.  There was sort of a...thing here.  | |||
What where you saying?  | |||
DR ENDESHA: (from the Chatter) Sadie, New Mombasa is the only place on  | |||
Earth the Covenant are attacking.  | |||
SADIE:  What?  Why?  | |||
DR ENDESHA:  Vergil's survey!  He detected some very unusual seismic activity   | |||
all along the Great Rift.  | |||
JONAS: (to Sadie) Would you like a kebab, young lady?  Chicken, mutton, beef!  | |||
One free for every refugee!  | |||
SADIE:  I'm not a refugee!  I'm going...there!  | |||
JONAS:  Across the bridge!  To where the aliens are landing?  | |||
JONAS:  Take two kababs...  | |||
DR ENDESHA:  Sadie, stay out of the city center!  I don't want you coming   | |||
anywhere near the security zone!  | |||
SADIE:  Sorry, Dad.  Gotta go.  I'll call you back.  | |||
DR ENDESHA:  Sadie-- (Chatters disconnects)  | |||
JONAS:  Come my friends, don't be shy!  Free food for the journey!  | |||
CROWD:  Thank you!  Asante.  Asante sama.  | |||
[SOUND:  Distant explosions in the city.]  | |||
JONAS:  Now young lady...  If you are heading into in the war zone, you must  | |||
eat!  Curried lamb?  Roast chicken?  | |||
SADIE:  They look delicious.  Really.  But I'm not hungry.  | |||
[SOUND:  Another explosion near the market.]  | |||
JONAS: (biting into a kebab) My dear...  | |||
JONAS:  The end of the world is nothing to face...(swallows) on an empty  | |||
stomach.  | |||
[SOUND:  Jonas chews, burps loudly and continues to eat his kebab.]  | |||
'''Circle 3, Arc 3'''  | |||
[SOUND:  Jonas ignores nearby explosions and continuous to loudly chew his  | |||
kebab.]  | |||
SADIE:  Listen, what you're doing?  Feeding all these hungry people?  It's  | |||
really a noble thing...   | |||
SADIE:  But you can't stay here!  The fighting is going to spread -- across   | |||
the water, into the old city!  | |||
JONAS: (chews and swallows) Would you be a dear and run to the wine merchant?  | |||
JONAS: (burps) This lamb would be perfect with a twenty-three Ida Sirah...  | |||
SADIE:  I understand you're...too heavy to walk very far.  But there are   | |||
other options!  | |||
JONAS: (laughs) You could carry me, perhaps?    | |||
SADIE: (into the Chatter) Vergil, you listening?  | |||
SUPERINTENDENT: (from Chatter) [Vergil chimes]  | |||
SADIE:  I need you to divert a city vehicle to my current location.  A  | |||
forklift, or maybe an Olifant--  | |||
JONAS:  A garbage truck?  I thnk I am insulted.  | |||
SADIE:  If you stay here, you'll die!  | |||
SADIE:  You need to get to the train station.  Or the waterfront -- it's   | |||
much closer!  | |||
JONAS:  Look at me...  | |||
JONAS:  Nobody is going to give me a place on a boat, a bus, or a train.  I   | |||
would take up five seats.  | |||
JONAS:  I am not worth five people...  | |||
SADIE:  You can't just give up -- throw away your life!  | |||
JONAS:  And what about your life?  You seem determined to go to the one place  | |||
you are most likely to die.  | |||
SADIE:  I'm going to find my father.  He needs me.  Just like all your   | |||
customers need you!  | |||
JONAS:  Very well, young lady.  I am convinced.  I to will leave Mombasa...  | |||
SADIE:  Good!  | |||
JONAS:  ...As soon as you do.  | |||
SADIE:  No!  | |||
JONAS:  First you make your father safe.  Then you come back and rescue me!  | |||
JONAS:  My brave warrior princess, riding her fearless fork-lift! (laughs)  | |||
SADIE:  Deal.  Just... don't give up.  | |||
JONAS:  Well if I run out of hope? (laughs) I will still have kebabs!  | |||
[SOUNDS:  Covenant plasma fire slams into the market.]  | |||
CROWD:  The Covenant's getting closer!  | |||
CROWD:  My shop!  Everything is gone!  | |||
SADIE: (pushing through crowd) Excuse me.  Ow!  Sorry!  | |||
SADIE: (to Jonas) I'll be back soon!  | |||
JONAS:  Of course you will.  | |||
CROWD:  Wrong way, crazy girl!  | |||
SADIE:  Please, just let me through!  | |||
SUPERINTENDENT: (from Chatter) CAUTION ONE WAY STREET!  | |||
SADIE:  Stop it, Vergil.  | |||
SUPERINTENDENT:  WARNING!  NO U-TURN ALLOWED!  | |||
SADIE:  I'll find Dad.  Then I'll come back.  | |||
SUPERINTENDENT: [whines like a puppy.]  | |||
SADIE:  I'm not crying...  | |||
SADIE:  I'm not.  | |||
'''Circle 4, Arc 1'''  | |||
[SOUND:  Civilians scream as fighting rages in the city.]  | |||
CROWD:  Oh God, Oh god!  | |||
CROWD:  Out of the car!  We'll go on foot!  | |||
CROWD:  No! My bags!  I have my whole life in there!  | |||
CROWD:  I don't give a damn!  Leave it!  | |||
LOOTER:  Smash the machines!  Take the money!  | |||
LOOTER:  Get back!  This one's mine!   | |||
LOOTER:  Screw you!  There's plenty for everyone!  | |||
ATM: (from speaker) Welcome to your African Trust automated teller machine!  | |||
Banking with pride!  | |||
SADIE:  Finally, an ATM that still works... Vergil, get Dad!  | |||
ATM:  Please place your right hand-- (distortion)  | |||
DR ENDESHA: (from ATM) Sadie!  Where are you?  | |||
SADIE:  Outside one of the casinos, down by the river!  I can barely hear  | |||
you, dad!  There are looters inside smashing everything!  | |||
DR ENDESHA:  Covenant troops are spread all over the city center!  | |||
DR ENDESHA:  I can see them on the monitors in my lab!  You've got to get as  | |||
far away as you can--  | |||
SADIE:  Forget it!  I'm coming to get you!  End of discussion!  | |||
[SOUND:  Smashing glass and a scream from inside the casino.]  | |||
SUPERINTENDENT:  (from ATM) INVEST WISELY!  OPEN A PERSONAL SAVINGS ACCOUNT  | |||
TODAY!  | |||
DR ENDESHA:  Listen to Vergil, Sadie!  | |||
SADIE:  This looting is just the beginning, dad!    | |||
SADIE:  Pretty soon we won't need the Covenant to tear us apart -- we'll   | |||
do that all by ourselves!  | |||
SADIE:  Vergil, you've watched me all my life, kept me safe.  Now, you've got  | |||
to save the city!  | |||
[SOUND:  Vergil plays a recording of a police siren over the PA.]  | |||
LOOTER:  It's the cops.  Run for it!  | |||
LOOTER:  Crap.  Grab what you can and go!  | |||
LOOTER:  No way I'm getting busted!  | |||
SADIE:  That-a-boy!  Scare them all the way to the river!  I know they can  | |||
afford the ferry!  | |||
SADIE:  Dad, can Vergil track the Covenant as they move?  Stream positional  | |||
data to the UNSC?  | |||
DR ENDESHA:  Yes, I might be able to re-configure the traffic congestion  | |||
cameras to isolate known Covenant vehicle profiles.  | |||
SADIE:  Maybe the ARGUS sniffers can pick up their soldiers too?  | |||
SADIE:  I've only seen vids of the different Covenant species, but I bet they  | |||
all stink in their own, special way.  | |||
DR ENDESHA:  That's an excellent idea!  Vergil, get right on it!  | |||
SUPERINTENDENT: (from ATM) [Vergil chimes]  | |||
DR ENDESHA:  Sadie, I know I've been busy, and we don't always have time to  | |||
talk.  | |||
DR ENDESHA:  But sweetheart...you make me very, very proud.   | |||
SADIE:  Well...I just figure if we know where the bastards are, we can at  | |||
least run away better.  | |||
[SOUND:  Shotgun pump.]  | |||
CRONE:  That was a nice trick with the police sirens, girly.  But I ain't  | |||
so stupid.   | |||
CRONE:  Step away from that cash machine, or I'm going to blow your pretty  | |||
head off!  | |||
'''Circle 4, Arc 2'''  | |||
[SOUND:  Distant explosions mix with the jingle of nearby slot-machines.]  | |||
CROWD:  She's got a shotgun!  Look out!  | |||
CROWD:  Come on!  She's old, we can take her!  | |||
CRONE: (shoots into the air) You think I'm deaf?!  Last warning!  Back away   | |||
from my cash machine!  | |||
CRONE: (to Sadie) You too, girly!  | |||
DR ENDESHA: (from ATM) Sadie, get out of there!  | |||
SADIE:  Look, I'm stepping back OK?  Why don't you put down your gun--  | |||
CRONE: (shoots into the air) Time to break the piggy bank!  | |||
SADIE:  Hey!  You almost hit me!  | |||
[SOUND:  The Crone smashes the ATM with her fist.]  | |||
SUPERINTENDENT: (from ATM) AFRICAN TRUST--  | |||
CRONE:  Open up!  | |||
SUPERINTENDENT:  BANKING WITH PRIDE!  | |||
CRONE:  Open up!  | |||
[SOUND:  As the Crone continues smashing, a drop ship flies toward the  | |||
casino.]  | |||
SADIE:  Everyone!  Listen!  That's a Covenant drop-ship!  | |||
LOOTERS:  Commies!  Let's get out of here!  | |||
LOOTERS:  Leave the money!  Run!  Run!  | |||
CRONE:  Forty years I've been coming to this place.  Forty years of losing   | |||
my hard earned cash...    | |||
CRONE:  Well, today I hit the jackpot!  You hear me, you damn machine?  I...  | |||
want...my...money!  | |||
[SOUND:  The Crone shoots the ATM.]  | |||
SUPERINTENDENT: [Vergil chime] INCORRECT PASSWORD.  PLEASE REMOVE YOUR CARD.  | |||
SADIE:  Vergil, give her the money!  Then we've got to find some cover!  | |||
[SOUND:  Money whirls out of the ATM.]  | |||
CRONE: (laughs) Out of the way, you little slut!  | |||
SADIE: (running) Gotta find a place to hide...There!  Dumpster.  Across the   | |||
street.  | |||
[SOUND:  Brutes exit the drop-ship and walk to the ATM]   | |||
SADIE: (whispers) Brutes!  Look how big they are!  | |||
CRONE:  Jackpot!  I win!  I win!  | |||
SADIE: (whispers) Move!  They're right on top of you!    | |||
BRUTES: [Angry roar.]  | |||
SADIE:  Oh my God!  It just tore the ATM off the casino wall!  | |||
[SOUND: the Brutes slams the ATM into the Crone.]  | |||
CRONE: [gurgling scream.]  | |||
SUPERINTENDENT: (from Chatter) TRANSACTION COMPLETE!  PLEASE COME AGAIN!  | |||
'''Circle 4, Arc 3'''  | |||
[SOUND: Slot-machines jingle inside the casino.]  | |||
CRONE: (dying) Jackpot...jackpot...  | |||
SADIE: (whisper) Oh my God!  She's crushed under the ATM!  | |||
BRUTE: [Angry growl.]  | |||
SADIE: (whipser) Please, don't look behind this dumpster, you big dumb Brutes.  | |||
Please, please, please...  | |||
BRUTE: [Angry roar.]  | |||
CRONE:  Alien son of a bitch!  Think I'd share any of this with you--  | |||
[SOUND: A Brute shoots the Crone then they all march down the street.]  | |||
SADIE:  That's it... keep walking.  Nothing more to see here...  | |||
DR ENDESHA: (from the Chatter) Sadie, are you all right?!  | |||
[SOUND:  The Brutes turn and shoot Sadie's dumpster.]  | |||
SADIE:  I was!  | |||
[SOUND:  The Brutes are shooting at Sadie as she runs for cover.]  | |||
DR ENDESHA:  I'm sorry!  Run!  Run!  | |||
[SOUND:  Suddenly, a car races down the street, smashes the Brutes and  | |||
then plows into the casino.]  | |||
BRUTES: [Dying growls.]  | |||
SADIE:  Vergil?!  I car just came out of nowhere-- smashed into the Brutes!   | |||
Was that you?  | |||
[SOUND:  The car door opens with a groan.]  | |||
MIKE: (exiting the car) My head...I thought air-bags where supposed to   | |||
stop you from getting hurt.  | |||
SADIE:  Mike!  You came back!  | |||
DR ENDESHA:  Who's 'Mike'?  Sadie, what's going on?  | |||
SADIE:  Hang on, dad...  | |||
SADIE: (to Mike) Let me help you out of there.  | |||
MIKE: (groans) I'm OK...  Seriously.  | |||
SADIE:  That whole macho tough-guy thing?  It's never really worked for me.  | |||
SADIE:  Give me your hand...  | |||
MIKE:  Uhn... Be gentle.  | |||
MIKE:  Take me around front.  Let me see what I hit...  | |||
MIKE:  Brutes huh?  | |||
MIKE:  Well that's never coming out of the grille.  | |||
'''Circle 5, Arc 1'''  | |||
[SOUND:  Jingle of slot-machines, groaning car metal.]  | |||
DR ENDESHA:  Sadie, thank the gentleman.  | |||
SADIE: (whisper) Great etiquette tip, Dad!  Let me get back to you...   | |||
[Chatter disconnect]  | |||
SADIE:  My father says I should thank you for saving my life.  | |||
MIKE:  Couldn't save the car, though.  I think there's something stuck in   | |||
the.. Oh.  | |||
SADIE:  That's a..  Eww.  | |||
MIKE:  Paw...  Yeah. I can see that.  | |||
SADIE:  Mike.  Seriously.  Thanks.  | |||
MIKE:  Hey, I didn't want to be the guy who leaves the damsel in distress.  | |||
SADIE:  Plus all the lights turned red when you tried to drive away.  | |||
MIKE:  How did you...?  | |||
SADIE:  Vergil.  | |||
MIKE:  Who's that?  Your... boyfriend?  | |||
SADIE: (laughs) Not quite.  You know the Superintendent?  | |||
MIKE:  Sure.  The AI that runs the city.  Picks up the garbage, monitors the  | |||
traffic.  It helped me trace a license-plate last week.  | |||
SADIE:  Well... Vergil is part of the Superintendent-- a subroutine my Dad   | |||
wrote to look after me when I was a kid.  | |||
MIKE:  Look after you?  | |||
SADIE:  After my mom died, it was just Dad and me.  He did his best.  But  | |||
his job...  | |||
SADIE:  When Dad couldn't be there, Vergil was.  | |||
SADIE:  He helped me get to school on time, made sure I bought a healthy   | |||
lunch and didn't watch too much TV...that sort of thing.  | |||
MIKE:  Must have been annoying.  | |||
SUPERINTENDENT: (from Chatter) YOUR TAX DOLLARS AT WORK!  | |||
SADIE:  It still is...  | |||
SADIE:  Mike.  Why are you helping me?  | |||
MIKE:  I'm a cop.  'Service to All,' right?  | |||
SADIE:  Uh-huh.  | |||
MIKE:  Look, the city is under attack... A lot of people need help.  | |||
MIKE:  Well... I can die a hero or I can die a coward but--  | |||
SADIE:  Got any choices that don't involve dying?  | |||
[SOUND:  distant explosions in the city center.]  | |||
MIKE:  Not if you want to go back over that bridge.  | |||
'''Circle 5, Arc 2'''  | |||
[SOUND:  Honking car horns and panicked screams.]  | |||
CROWD:  Hold my hand, son!  Don't look down!  | |||
CROWD:  Is it true?  That they've shut down the tether!?  | |||
CROWD:  Officer?  Where should we when we're off the bridge?  | |||
COP:  Just keep walking!  Get out of the city!  | |||
COP:  Everyone try and stay calm!  Marines will be here soon!  | |||
PROPAGANDA: (from PA) Citizens!  Your neighbors are resisting!    | |||
PROPAGANDA:  A popular uprising is inflicting heavy causalities on the   | |||
invaders!  We will prevail!  | |||
MIKE:  How are we going to get across this bridge?  It's packed!  | |||
SADIE:  Good manners and pointy elbows!  | |||
MIKE: (whisper) Jeez, Branley.  The things you do for a kiss...  | |||
SADIE:  What?  | |||
MIKE:  I said, I won't let you down, miss!   | |||
SADIE:  Right!  | |||
CROWD:  Ow, wrong way, girl!  | |||
CROWD:  Hey!  Watch where you are stepping!  | |||
SADIE: (pushing through crowd) Excuse us!  Sorry!  | |||
MIKE:  Hey, step aside!  Police business!  | |||
SADIE:  It's an emergency!  Let us through!  | |||
MIKE:  Step aside people!  | |||
SADIE:  You know, if the panicked mobs would just stay in nice, neat lines  | |||
we'd--  Ow!  Watch it!-- get across this bridge a lot faster!  | |||
MIKE:  Do you hear that?  | |||
SADIE:  What, the water?  Don't tell me you're afraid of heights!  | |||
MIKE:  Pelican drop-ship.  Hard to see through all this smoke.  But its   | |||
heading our way.  | |||
SADIE: (to Chatter) Vergil?  Got eyes in the sky?  | |||
[SOUND: (from Chatter) Vergil chime followed by a tapping and barking.]  | |||
SADIE:  Not good.  Cane tapping.  Seeing-eye dog.  Means Vergil can't see   | |||
it...  | |||
MIKE:  And who do we know that likes to travel off the grid?  | |||
CROWD:  That's a police drop-ship!  We're saved!  | |||
CROWD:  We can't all fit on that!  | |||
CROWD:  Says you!  I'm getting on first!  | |||
[SOUND:  A Pelican drop-ship settles on the bridge and opens its troop-bay  | |||
door.]  | |||
MIKE:  Aww, crap...  | |||
KINSLER:  Hello, Sadie...  Remember me?  | |||
'''Circle 5, Arc 3'''  | |||
[SOUND:  Kinsler's Pelican drop-ship settles on the bridge.]  | |||
CROWD:  The commissioner!  We're saved!  He has a drop-ship!  | |||
CROWD:  Yeah, and a sub-machine gun!  | |||
CROWD:  Why's he pointing it at that girl?  | |||
CROWD:  Not our problem!  Keep moving.  | |||
KINSLER: (readies his weapon) It's so good to see you again Sadie.  | |||
KINSLER:  But please, no sudden movements.  This Pelican isn't the stablest  | |||
thing to stand on.  I'd hate to shoot you accidently.  | |||
KINSLER:  Branley.  Your service pistol.  Remove it from your hostler.  | |||
Slowly...  | |||
MIKE:  Yeah, yeah...  | |||
KINSLER:  Now toss it off the bridge.  | |||
[SOUND:  Mike throws his pistol into the water.]  | |||
KINSLER:  Good.  Now, I must say, Sadie.  You play very hard to get.  | |||
SADIE:  Bet that makes you angry.  | |||
KINSLER:  Oh... quite the opposite.  | |||
SADIE: (whispers into Chatter) Vergil... a little help here!  | |||
KINSLER:  Your chatter made you easy to track.  But I think you and Vergil  | |||
have talked quite enough.  Take it off.  | |||
[SOUND:  Sadie rips her Chatter off her wrist.]  | |||
KINSLER:  Now smash it!  | |||
[SOUND:  Sadie crushes her Chatter with her foot.]  | |||
KINSLER:  Do you know what I've learned in all my years in politics?  | |||
SADIE:  That you're an asshole?  | |||
KINSLER:  The value of escalation.  For example, last time we met, Branley  | |||
hit me with his fist.  | |||
MIKE:  Keep talking.  I might do it again.  | |||
KINSLER:  I think not.  This time, I have a sub-machine gun.  You see?  | |||
Escalation....  | |||
KINSLER:  Goodbye, Branley.  | |||
SADIE:  Do it and you're a dead man.  | |||
KINSLER:  Sadie.  You're such a bright, beautiful girl.  You have no idea  | |||
how much it pains me when you act so incredibly stupid.  | |||
[SOUND:  Rattle of approaching treads.]  | |||
KINSLER:  I have.  The gun.  | |||
SADIE:  Yes... But I have the garbage truck.  | |||
[SOUND:  Metal crunch as an Olifant smashes into the Pelican.]  | |||
CROWD:  An Olifant just hit that Pelican!  | |||
CROWD:  Don't see that every day!  | |||
KINSLER:  My drop-ship!  That's city property, Vergil!  What the devil do  | |||
you think you are doing?  | |||
SADIE:  Escalation.  | |||
[SOUND:  The Olifant honks then drops its garbage on the Commissioner.]  | |||
KINSLER: [Chokes and gags]  | |||
CROWD: (laughs) It just dumped its whole load!  | |||
CROWD: (laughs) The commissioner is totally buried in garbage!  | |||
MIKE:  Ugh... Man, what a smell!  | |||
SADIE:  Come on!  That's our ride!  | |||
MIKE:  Oh, no...  No, no, no!  | |||
MIKE:  I am not getting into the back of an-- (gags) --Olifant.  | |||
SADIE:  Think of it as an armored personal carrier, for the ... smell   | |||
impaired.  | |||
'''Circle 6, Arc 1'''  | |||
[SOUND:  Olifant engine and clanking treads.]  | |||
PROPAGANDA: (from PA) Stay strong, Mombasa!  Our noble militia is hitting   | |||
back hard! The enemy has begun to retreat!  | |||
MIKE: (groans) I think I'm going to puke...  | |||
SADIE:  Might make it smell better.    | |||
MIKE:  Why do we have to ride back here again?  | |||
SADIE:  It's the safest way to get to the ONI building.  If we sit in the  | |||
cab, we're targets.  | |||
SADIE:  If we let Vergil drive us to the ONI building, the Covenant thinks   | |||
we are just a harmless machine.  | |||
SUPERINTENDENT: (from Olifant radio) RECYCLING!  DO YOUR PART!  | |||
[SOUND:  The Olifant’s access-door cranks open.]  | |||
MIKE:  Uh-oh...  Company!  Get behind me!  | |||
TOM:  Finally!  Something between me and all the shooting!  Guess we all had  | |||
the same bright idea, huh?  | |||
TOM:  Name's Tom Umberti.  Damn glad to meet you!  Married, right?  You two  | |||
own a house?  Of course you do!  | |||
TOM:  Say, when this is all over, if you're in the market for new ceramic  | |||
siding?  Hey now -- I'm your man!  | |||
SADIE:  Tom?  Shut-up.  | |||
SADIE: Vergil, can you raise Dad on this Olifant's radio?  | |||
TOM:  Wow, buddy.  Is she a tough customer or what?  | |||
MIKE:  You have no idea.  | |||
DR ENDESHA: (from radio) Sadie!  You had me worried half to death!  | |||
SADIE:  I'm okay.  What about you?  | |||
DR ENDESHA:  The fighting is spreading, damaging all sorts of systems.  | |||
Power, data...  | |||
DR ENDESHA:  The entire Superintendent infrastructure is close to collapse.  | |||
I'm doing all I can but--  | |||
SADIE:  Dad, you've done an incredible job of keeping Vergil together.  | |||
DR ENDESHA:  Sadie, it's not me...  | |||
DR ENDESHA:  It's the Covenant.  | |||
'''Circle 6, Arc 2'''  | |||
[SOUND:  Explosions rock the Olifant on its treads.]  | |||
SADIE:  Dad, it's hard to hear inside this Olifant.  Say that again?  | |||
DR ENDESHA: (from radio) A plasma bombardment collapsed on of Vergil's  | |||
tertiary data-centers.  | |||
DR ENDESHA:  I was accessing the damage through the underground cameras, and  | |||
I saw Covenant splicing cables, patching switches--  | |||
MIKE:  Wait-- the Covenant are helping us?!  | |||
TOM:  Well, I'll be damned!  | |||
SADIE:  Dad, I just meet my first Brutes.  They didn't seem too helpful.  | |||
DR ENDESHA:  No.  The ones in the data-center weren't Brutes-- or any of   | |||
the Covenant I've heard about.  | |||
DR ENDESHA:  It's a whole new species, Sadie.  And they are actually quite...  | |||
beautiful.  | |||
DR ENDESHA:  They have some sort of automatic defense system, but so long as  | |||
you don't get too close--  | |||
TOM:  You know -- and I'm just thinking out loud here -- maybe this whole  | |||
invasion is just one big misunderstanding!  | |||
SADIE:  Shut-up, Tom!  | |||
DR ENDESHA:  Vergil's observing another group of them now inside Kikowani  | |||
Station.  | |||
DR ENDESHA:  Hang on a second.  I'll connect the audio feed...  | |||
TOM:  Number one rule of sales?  Understand exactly what the customer needs.  | |||
Not what he wants -- what he needs.  You understand?  | |||
MIKE:  Tom.  Seriously.  Zip it.  | |||
DR ENDESHA:  It's dark in the station.  Switching the camera to thermal...  | |||
DR ENDESHA:  Strange...  There aren't any Brutes around.  Usually they never  | |||
leave them alone.  | |||
DR ENDESHA:  Alright, I see six of the new aliens floating in a circle.    | |||
They're surrounding a seventh, touching it with their tentacles...  | |||
DR ENDESHA:  Amazing!  You wouldn't believe how fast they can move their  | |||
limbs!  | |||
DR ENDESHA:  They're working...  Doing something to the explosives in the  | |||
seventh's aliens armor--  | |||
[SOUND:  Series of loud explosions.]  | |||
'''Circle 6, Arc 3'''  | |||
[SOUND:  Series of loud explosions.]  | |||
SADIE:  Dad, what where those explosions?!  Vergil, can't this Olifant  | |||
go any faster?!  | |||
DR ENDESHA: (from radio) I'm not sure what just happened... Six of the aliens   | |||
are dead.  But I think...  | |||
DR ENDESHA:  Sadie, I think they gave their lives to free their companion.  | |||
DR ENDESHA:  Yes!  Yes, I can see it floating away down the subway tube.    | |||
Vergil, keep an eye on that one!  | |||
MIKE:  Covenant with feelings, huh?  That's a first.  | |||
TOM:  What was I saying!  Don't you see?  We gotta negotiate.  | |||
SADIE:  Negotiate?  | |||
TOM:  We shoot at them, they shoot back at us!  That's just bad business!  | |||
TOM:  Hey!  Hey aliens!  We're in here!  We want to surrender!  | |||
MIKE:  Settle down, you idiot!  | |||
SADIE:  Tom, don't you get it?!  The friendly Covenant aren't the ones doing  | |||
all the shooting!  | |||
TOM:  To hell with demographics!  This is a down market!  Time to bargain if  | |||
you want to make the sale.  | |||
[SOUND:  Tom opens the Olifant's top hatch.]  | |||
TOM:  You!  Yeah, you in the tank!  Over here!  | |||
SADIE:  Close the hatch!  | |||
MIKE:  Leave him Sadie.  I'm opening the back hatch.  We're out of here.  | |||
[SOUND:  Mike opens the Olifant's ramp.]  | |||
TOM:  That's right!  Up here!  Let's say you and me make a deal?  | |||
SUPERINTENDENT: (from PA) DON'T WALK! DON'T WALK!  | |||
MIKE:  Sadie!  It's a Wraith!  Move!  | |||
SADIE:  Where to?  | |||
MIKE:  Alleyway!  Come on!  | |||
SUPERINTENDENT:  Clear the street!  Oncoming traffic!  | |||
[SOUND: Wraith round hits the Olifant, killing Tom.]  | |||
SADIE:  Surrender accepted.  | |||
'''Circle 7, Arc 1'''  | |||
[SOUND:  The Olifant burns in the background.]  | |||
MIKE: (running) That Wraith blew the hell out of our Olifant!  | |||
SADIE: (running) Poor Tom...  | |||
MIKE:  Poor Tom?!  He almost got us killed!  | |||
[SOUND: Rain begins to fall.]  | |||
MIKE:  Now what?  | |||
SADIE:  Stay out of sight, find a kiosk.  My dad's in the data-center under  | |||
the ONI building.  | |||
MIKE:  Basically right at the heart of the Covenant occupation.  | |||
SADIE:  We are going to need Vergil's help getting him out of there.  | |||
MIKE:  Here.  Take my jacket.  | |||
SADIE:  I don't mind the rain.  | |||
MIKE:  It's fiber-armored.  I mind you getting shot.  | |||
SADIE:  Thanks.  | |||
KIOSK: (from speaker) Optican, health care on demand.  Please place your  | |||
hand on the touch pad-- (distortion)   | |||
SADIE:  Vergil, get me dad.  | |||
SUPERINTENDENT: (from kiosk) ELEVATED HEART-RATE.  ARE YOU FEELING ANXIOUS?  | |||
STRESSED?  | |||
SUPERINTENDENT:  TRY OPTICAN’S NEWEST MOOD-SETTLING DRUG "STATENIZOL."  | |||
SADIE:  And stop playing doctor!  | |||
DR ENDESHA: (from kiosk) Finally, a kiosk with a camera!  Now I can see that  | |||
you are alright.  | |||
DR ENDESHA:  But why are you dressed like a police officer?  | |||
SADIE:  It's Mike's. (to Mike) Say hello.  | |||
MIKE: (clears his throat) It's good to meet you Doctor Endesha.  | |||
DR ENDESHA:  You know... You are the first young man Sadie's ever   | |||
introduced me too.  | |||
SADIE:  Dad?!  | |||
[SOUND:  Engineer sound followed by Vergil's imitation.]  | |||
SADIE:  What's Vergil doing?  | |||
DR ENDESHA:  Learning to whistle!  | |||
MIKE:  Whistle?  | |||
DR ENDESHA:  So he can communicate with the tentacle aliens!  | |||
SUPERINTENDENT:  STRESS HARMS RELATIONSHIPS.  GOOD COMMUNICATION AND GOOD  | |||
MEDICINE CAN HELP.  | |||
SADIE:  We just meet a guy that tried the whole 'communicate' with the enemy   | |||
thing.  It didn't work so well, Dad!  | |||
DR ENDESHA:  These new aliens are different.  Inquisitive, not violent.  | |||
They are searching for something under New Mombasa.  I'm sure of it!  | |||
DR ENDESHA:  And if Vergil can learn to speak with them, we'll be able to  | |||
determine whether or not they can-- (static)  | |||
SADIE:  Dad!  | |||
PROPAGANDA: (from PA)  Attention citizens!  The enemy has infiltrated our  | |||
data systems!  | |||
SUPERINTENDENT:  IRREGULAR PULSE.  HEART RATE FALLING.  REPORT TO THE  | |||
NEAREST-- (static)  | |||
SADIE:  Vergil!  | |||
PROPAGANDA:  All civilian chatter is restricted!  | |||
SADIE:  No!  | |||
MIKE:  Whoa-whoa!  Calm down!  | |||
SADIE:  They killed him!  | |||
MIKE:  Who?  | |||
SADIE:  The police! They just pulled Vergil's plug!  | |||
MIKE:  No way.  The whole city would shut down.  The evacuation would ground  | |||
to a halt.  No one would be crazy enough to--  | |||
SADIE:  No one?!  | |||
MIKE:  Aww crap...  | |||
'''Circle 7, Arc 2'''  | |||
[SOUND:  Rain and distant thunder.]  | |||
MIKE: (running) Police Headquarters!  Straight ahead!  | |||
SADIE: (running) How does a level one blackout work?  How do we bring Vergil  | |||
back?  | |||
MIKE:  Emergency Communications department.  But we can't just--  | |||
SADIE:  Kick down the door?  Plug Vergil back in?  | |||
SADIE:  You bet your ass we can!  | |||
MIKE:  Sadie!  Wait!  | |||
SADIE:  Here's a directory...  Emergency Comms.  Fourteenth Floor.  | |||
Elevators are--  | |||
MIKE:  Hold up!  Look... the lobby's all shoot up.  And over by the   | |||
elevators...  | |||
SADIE:  Are those cops?  | |||
MIKE:  All dead.  Probably a Brute kill-squad...  | |||
MARSHALL:  Howdy, folks.  | |||
SADIE:  ...Or not.  | |||
MARSHALL:  Sorry about the mess.  Since it appears we are all going straight  | |||
to hell today...  | |||
MARSHALL:  I figured I'd send some of my old pals on their way myself.  | |||
MIKE:  Listen, buddy.  We don't want any trouble.  | |||
SADIE:  We just need to get upstairs--  | |||
MARSHALL:  Stay right where you are!  | |||
MARSHALL:  Here comes another one now...  | |||
[SOUND:  Elevator appears.  Jim walks into the lobby.]  | |||
JIM: (into Chatter) Mmm-hmm...  Yeah.  I don't know why they shut the Super  | |||
down.  We'll keep broadcasting as long as we--  | |||
MARSHALL:  Hey there, Jim bo!  | |||
JIM:  What the...  Officers down!  There may be Covenant--  | |||
MARSHALL:  Come now.  Get off your Chatter and pay attention.  | |||
JIM:  Marshall?  What are you doing here?  Didn't you get fired?  | |||
MARSHALL:  Remember how often I asked you not to use my half-and-half?  And  | |||
remember how often you didn't listen?  | |||
JIM:  You?  You did this?!  | |||
MARSHALL:  Should have stayed in the elevator, Jim.  | |||
JIM:  No!  Please!  | |||
MARSHALL:  I wrote! (fires) My name! (fires) Right there on the carton!   | |||
(fires)  | |||
JIM: (dying gurgle)  | |||
MIKE:  Sadie, let's go.  | |||
MARSHALL:  According to this department, I have issues with anger  | |||
management...  | |||
MARSHALL:  If I we're you?  I'd stay right where you are.  | |||
'''Circle 7, Arc 3'''  | |||
[SOUND:  Marshall reloads his rifle.]  | |||
MARSHALL:  You two are my hostages.  Sit tight, or you're gonna end up like  | |||
these old buddies of mine.  | |||
SADIE:  Mike, we have to get upstairs --  turn Vergil back on!  | |||
MARSHALL:  No talking!  | |||
MARSHALL:  You work for the NMPD?  | |||
SADIE:  Uh...  | |||
MIKE:  No.  | |||
MARSHALL:  Oh yeah?  Where did you get the jacket?  | |||
SADIE:  I stole it.  From the trash.  | |||
MARSHALL:  A thief, huh?  Got a record, you little punk?  | |||
MIKE:  Look.  Why don't you put down your rifle and--  | |||
MARSHALL:  Why don't you shut your goddamn mouth!  | |||
[SOUND:  boots in the stairwell.]  | |||
MARSHALL:  Hear that?  SWAT pussies finally woke up.  They'll be wearing  | |||
body armor, so you have to take the head-shot.  | |||
MIKE:  Get down, Sadie!  Now!  | |||
[SOUND:  SWAT officer kick-opens the stairwell door.]  | |||
SWAT COP:  Drop your weapon!  | |||
MARSHALL:  Come and get it! [fires]  | |||
SWAT COP: (dying gurgle)  | |||
SWAT COP:  Damnit!  Take him down!  | |||
SWAT COP:  Cover me!  | |||
SWAT COP:  Man down!  Man down!  | |||
SWAT COP:  We're blocked in!  | |||
[SOUND:  SWAT cops and Marshall exchange heavy fire.]  | |||
SWAT COMMANDER:  Bang and clear!  | |||
[SOUND:  SWAT commander tosses a flash-bang grenade.]  | |||
MARSHALL: (screams) My eyes!  Awww, you lousy sons of bitches--  | |||
[SOUND:  Marshall dies in a hail of bullets.]  | |||
SWAT COMMANDER:  Got him!  Suspect down!  | |||
MIKE:  Sadie?  Sadie?!  Are you, OK?  | |||
SWAT COMMANDER:  You!  Hands where I can see them!  | |||
MIKE:  Don't shoot!  I'm NMPD damnit!  | |||
SWAT COMMANDER:  Let me see your badge!  Nice and slow!  | |||
SADIE:  The whole city's crawling with Covenant, and we're killing each  | |||
other.  | |||
MIKE:  Here, see!  Metro pee-dee!  | |||
MIKE:  I need to get her to the fourteenth floor.  It's an emergency!  | |||
SWAT COMMANDER:  OK.  Take her up.  We'll deal with this mess...  | |||
SADIE:  There must be a dozen bodies here...  | |||
MIKE:  We can't save them, Sadie.  But we can save Vergil.  | |||
MIKE:  We have to go.  | |||
'''Circle 8, Arc 1'''  | |||
[SOUND:  Sadie and Mike running up the stairwell.]  | |||
MIKE:  Emergency Comms.  Fourteenth floor.  Should've taken the   | |||
elevator...  | |||
SADIE:  After what just happened?  I don't think so.  | |||
MIKE:  So... what exactly are you going to say to make them re-initialize  | |||
Vergil?  | |||
SADIE:  I'll think of something.  | |||
MIKE:  'Hi!  I'm cute!  Break the law for me!'  | |||
SADIE:  That's not funny!  | |||
MIKE:  I'm just saying... It worked on me...  | |||
[SOUND:  Police communications officers type and answer phones.]  | |||
COMM COP:  Still no Covenant activity outside the city!  | |||
COMM COP:  I need a medivac!  Nyali bridge!  | |||
COMM COP:  I've got three more evac points at 200% capacity!  | |||
COMM COP:  Somebody answer that damn Phone!  | |||
MIKE:  Where's the duty officer?  | |||
COMM COP:  Big desk.  At the back.  | |||
MIKE:  Thanks.  | |||
COMM COP:  No way we can get everyone out!  | |||
COMM COP:  Reports of another riot starting at Kikowani!  | |||
COMM COP:  I need someone else to man these comm lines!  | |||
DUTY OFFICER: (talking into chatter) As I've been trying to tell you   | |||
Captain, I don't have the authority to override--  | |||
DUTY OFFICER:  What do you mean 'gross misconduct?'  Captain Dare, I assure   | |||
you.  People are dying down here!  | |||
SADIE:  Excuse me....  | |||
DUTY OFFICER:  Yes, of course I could turn the Superintendent back on.  But  | |||
Commissioner Kinsler gave me explicit instructions--   | |||
SADIE:  You're busy, so I'm just going to borrow this stapler...  | |||
DUTY OFFICER:  Listen, Captain, there is a Covenant carrier hovering  | |||
outside my window!  | |||
DUTY OFFICER:  There's a sniper in my lobby and you're threatening to have  | |||
me fired!? [Slams chatter into desk.]  | |||
DUTY OFFICER:  Office of Naval Intelligence.  Now there's a contradiction  | |||
in terms...  | |||
DUTY OFFICER: (Sees Sadie and groans) What do you want?  | |||
SADIE:  I need you to turn Ver-- the Superintendent back on.  | |||
DUTY OFFICER:  Not you, too!  I am telling all of you, the commissioner--  | |||
SADIE:  I know.  But I'm making you do it!  At gunpoint!  | |||
DUTY OFFICER:  What gun?  | |||
SADIE:  This one!  | |||
DUTY OFFICER:  You're holding my stapler inside your pocket and pointing it  | |||
at me.  | |||
SADIE:  You don't know that.  | |||
MIKE:  It might be a gun.  | |||
SADIE:  Or a rifle!  | |||
MIKE:  Or a rocket launcher!  | |||
SADIE:  And if it was, why, you would have to turn the Superintendent back  | |||
on.  | |||
MIKE:  Nobody could blame you.  | |||
SADIE:  Or fire you...  | |||
DUTY OFFICER:  If it was a gun...  | |||
DUTY OFFICER:  Oh, no...  Please don't shoot.  I'll do.. anything!  | |||
SUPERINTENDENT: (Loud Engineer whistle) SADIE! SADIE! SADIE! SADIE! SADIE!  | |||
SADIE:  It's OK, Vergil.  I'm here.  | |||
MIKE:  He sounds...different.  | |||
SADIE:  Vergil?  What have those aliens done to you?!  | |||
[SOUND:  Loud Engineer whistle.]  | |||
'''Circle 8, Arc 2'''  | |||
[SOUND:  Loud Engineer whistle.]  | |||
COMM COP:  You hear that crazy noise?!  | |||
COMM COP:  No clue.  Must be a corrupted signal!  | |||
COMM COP:  We've lost the connection with the UNSC orbital command!  | |||
MIKE:  Sadie, what's going on?!  | |||
SADIE:  I don't know.  Those aliens have been working on Vergil and now that  | |||
he is back on he sounds...  | |||
MIKE:  ...Different.  | |||
SADIE:  Vergil?  It's still you, isn't it?  | |||
SUPERINTENDENT: [barks like a dog]  | |||
SADIE:  Can you get Dad for me?  | |||
SUPERINTENDENT: [frightened Engineer whistle.]  | |||
SADIE:  Vergil can't reach him!  Something's wrong...  | |||
PROPAGANDA: (from PA) Reports are coming in from all over the city!  | |||
Covenant forces are pulling back in the face of furious resistance!  | |||
MIKE:  Man, I have had it with his crap!  | |||
PROPAGANDA:  Our enemies are cowards!  Battle on, brave citizens, and   | |||
victory will be ours!  | |||
MIKE:  Hang on... That's coming from inside the building!  | |||
SADIE:  Mike?  Wait!  Where are you going?  | |||
PROPAGANDA:  This hour we will pay tribute to our fallen heroes.  Jim Odingo  | |||
Roberto Burstomenta and Marshall Glick.  | |||
MIKE:  This is his office.  Public Service Announcements Division...  | |||
PROPAGANDA:  These officers were gunned-down in the very lobby of this  | |||
building by Covenant snipers.  | |||
PROPAGANDA:  But moments ago members of our citizens militia wiped out the   | |||
sniper nest with a homemade flame-thrower...  | |||
PROPAGANDA:  Made from nothing more than an old leaf blower and a can of  | |||
gasoline!  Keep fighting, Mombasa!  Fight and we will win!  | |||
[SOUND:  Stephen turns-off his microphone.]  | |||
STEPHEN:  Off the air...  | |||
MIKE:  Covenant Sniper nest?  Those people were massacred by a crazy ex-cop!  | |||
Hell, one of those people was the crazy ex-cop!  | |||
STEPHEN:  And your point is?  | |||
MIKE:  People are dying out there and you're feeding them this...this   | |||
garbage?  None of it is true!  | |||
STEPHEN:  Yes, well... [Stubs out cigarette.]  | |||
STEPHEN:  Some days, truth really isn't a luxury we can afford.  | |||
'''Circle 8, Arc 3'''  | |||
SADIE:  Come on Mike... He's a propaganda officer.  He's just doing his  | |||
job.  | |||
MIKE:  His job?!  More like lying to people for a living!  | |||
STEPHEN:  Do you know who is still listening to my announcements?  An old  | |||
women, to weak to leave her bed...  | |||
STEPHEN:  A man, bleeding in the street. A teacher, hiding with her students   | |||
in the school's basement.  | |||
STEPHEN:  They are all going to die.  | |||
MIKE:  Maybe, maybe not.  The marines will be here soon...  | |||
STEPHEN:  They are all going to die!  | |||
STEPHEN:  My job before they die is to fill their life with truth... with  | |||
hope.  | |||
STEPHEN:  But maybe you can do better... [Exhales cigarette smoke.]  | |||
STEPHEN:  On the air... [Turns-on microphone.]  | |||
STEPHEN:  A special honor, New Mombasa!  I have here in studio uprising  | |||
Commander Harris "Two Shot" Kabaki.  | |||
STEPHEN:  Commander, tell our listeners the latest news from the city center.  | |||
STEPHEN:  Commander?  Go ahead.  Speak the truth.  | |||
MIKE:  Well, things aren't as good as they could be.  But they're looking  | |||
up.  We're... we're fighting hard.  | |||
STEPHEN:  Good to hear it!  Any words of advice, Two Shot?  | |||
MIKE:  Just... keep fighting.  We can win this battle if we stick together.  | |||
We can save this city.  We can win this war.  | |||
[SOUND:  Stephen turns-off his microphone.]  | |||
STEPHEN:  Off the air...  Now, you are also a hero.  | |||
SADIE:  You are, you know.  | |||
MIKE:  I feel sick.  | |||
STEPHEN:  No.  What you feel is hope.  | |||
[SOUND:  Stephen's control-console chirps.]  | |||
STEPHEN:  Ah, See!  You already have an admirer!    | |||
STEPHEN: (hitting a switch) Go ahead.  You are on the line with Harris   | |||
"Two Shot" Kabaki.  | |||
KINSLER: (from console) That was truly inspiring Officer Branley.  Sadie  | |||
must be very impressed.  | |||
SADIE:  Kinsler!  | |||
KINSLER:  But I think she will be much more interested in this...  | |||
KINSLER:  Sadie.  I now control the fire fighting systems in your father's  | |||
lab.  If you want to see him alive again...  | |||
KINSLER:  You'll do exactly as I say.  | |||
'''Circle 9, Arc 1'''  | |||
[SOUND:  Sadie and Mike run down a broken escalator.]  | |||
SADIE:  Kinsler told me to meet him at the train station.  That's what I am  | |||
going to do.  | |||
MIKE:  Come on Sadie.  You can't trust him!  You know that!  | |||
SADIE:  My father is still in Vergil's data-center.  | |||
MIKE:  I've been listening to your dad all day.  And the one thing he   | |||
wouldn't want you to do?  Put yourself in even more danger by--  | |||
SADIE:  You're not listening at all!  Kinsler said he'd trigger the  | |||
emergency fire response!  | |||
MIKE:  And that will -- ?  | |||
SADIE:  Flood the data center with argon!  | |||
MIKE:  Can people breath argon?  | |||
SADIE:  No, Mike.  It freezes you!  Dead!  | |||
MIKE:  Look, I didn't know.  I'm sorry.  | |||
SADIE:  Vergil?  Are you there?  | |||
SUPERINTENDENT: (from PA) [Engineer whistle.]  | |||
MIKE:  I know that look...  What's your plan?  | |||
SADIE:  Escalation.  | |||
'''Circle 9, Arc 2'''  | |||
[SOUND:  Frightened civilians crowd the station.]  | |||
CROWD:  Out of my way, I'm getting on that train!  | |||
CROWD:  Not before me you're not!  | |||
CROWD:  There's not enough room!  | |||
CROWD:  My wife, has anyone seen my wife?!  | |||
CROWD:  There getting closer, we have to go!  | |||
KIOSK: (from speaker) Trans-bay express train now departing Kikowani  | |||
station.  | |||
KIOSK:  All passengers must depart from platform fourteen-- (distortion)  | |||
[SOUND: (from kiosk) Loud Engineer whistle.]  | |||
SUPERINTENDENT: PLEASE REMAIN CALM!  NO TICKETS -- NO PROBLEM! SLOW CHILDREN   | |||
-- USE CAUTION!  | |||
SADIE:  Maybe dad was right...  The tentacle aliens he found?  I think they  | |||
are helping Vergil.  Bringing him back from the dead.  | |||
MIKE:  Why would they do that?  | |||
SADIE:  Dad said they were looking for something...  Something Vergil found.  | |||
SUPERINTENDENT:  KEEP IT CLEAN!  LEAVE ALL LUGGAGE ON PLATFORMS!  | |||
SADIE:  Maybe they're sick of fighting, just like us.  I don't know.  | |||
SADIE:  Dad would know the answer...  | |||
MIKE:  We'll ask him when we see him, OK?  | |||
SADIE:  OK.  | |||
MIKE:  Now where are you suppose to meet the Commissioner?  | |||
SADIE:  Platform nine.  He's got a private train.  | |||
MIKE:  I still think you should let me--  | |||
SADIE:  If I don't come alone, my dad will die!  Kinsler made that clear!  | |||
SADIE:  You and Vergil know what you have to do?  | |||
MIKE:  Yeah...  | |||
[SOUND:  Covenant plasma fire slams into the station, crowd panics.]  | |||
CROWD:  Mommy!  What's happening?!  | |||
CROWD:  I won't let them get me!  I won't!  | |||
CROWD:  Quiet!  You're scaring my children!  | |||
MIKE:  The Covenant are closing in!  People are panicking.  This is gonna  | |||
get ugly...  | |||
SADIE:  This day is a nightmare!  It all keeps getting worse!  Everything's   | |||
falling apart!  | |||
MIKE:  Not everything.  | |||
SADIE:  Listen.  I know I'm just a girl who got you fired...  | |||
SADIE:  I might also be the girl that gets you killed!  | |||
MIKE:  Maybe.  But not today.  | |||
SADIE:  Mike... I want you to live.  | |||
SADIE:  I need you to live... For me.  | |||
'''Circle 9, Arc 3'''  | |||
[SOUND:  Covenant plasma fire slams into the station, crowd panics.]  | |||
CROWD:  Let us aboard!  | |||
CROWD:  The Commissioner’s got plenty of room!  | |||
CROWD:  And goons with guns...  | |||
CROWD:  At least take my children!  | |||
CROWD:  Selfish devil!  To hell with you!  | |||
SADIE:  Platform nine...  | |||
MIKE:  There's Kinsler's private train.  Guarded by corrupt cops with   | |||
machine-guns.  | |||
SADIE:  I'm going in.  My father's life is on the line.  | |||
MIKE:  Be careful.  | |||
SADIE:  You too.  | |||
CROWD:  What?  Wait your turn!  | |||
SADIE: (pushing through the crowd) Excuse me!  Sorry!  Coming through...  | |||
CROWD:  Watch it, girl!  Quit shoving!  | |||
CORRUPT COP: [Shoots into the air.] Get away from the train!  You hear me!  | |||
Everyone back off!  | |||
KINSLER:  Steady, officer.  Not yet.  | |||
CORRUPT COP:  I can't hold the crowd back much longer, sir!  | |||
SADIE: (from crowd) Kinsler!  | |||
KINSLER:  You won't have to.  My passenger has arrived.  | |||
KINSLER:  This way, Sadie!  Push right on through!  | |||
CORRUPT COP:  Make some room!  Let her through!  | |||
CROWD:  Why does she get to come on board?!  | |||
CROWD:  It's not fair!  We all deserve to live!  | |||
CROWD:  Now's our chance!  Rush the train!  | |||
[SOUND:  Corrupt cops fire into the crowd.]  | |||
CROWD:  I'm hit!  Please... someone help!  | |||
CROWD:  Murdering bastards!  | |||
KINSLER:  Any other objections?  | |||
CROWD:  Why?!  Why?!  | |||
KINSLER:  Careful, Sadie, watch your step.  | |||
SADIE:  You ever worry there might really might be a hell?  | |||
KINSLER:  Oh I know there is, my dear.  And you and I are leaving it.  | |||
KINSLER:  Officer, close the doors.  | |||
CORRUPT COP:  Button-up men!  We're out of here!  | |||
[SOUND:  Train doors clanks shut.]  | |||
CROWD: (muffled)  Stop the train!  Block the tracks!  | |||
CROWD: (muffled) Jump for it!  | |||
KINSLER:  I don't want any of that on board!  | |||
CORRUPT COP:  Yes sir!  | |||
[SOUND:  Corrupt cops fire into the crowd.]  | |||
SADIE:  You can't just kill them!  | |||
KINSLER:  Why?  I'm getting quite good at it.  For instance...  | |||
KINSLER:  I killed your father an hour ago.  | |||
'''Circle 9, Arc 4'''  | |||
[SOUND:  Corrupt cops fire into the crowd.]  | |||
SADIE:  You... killed my father?  | |||
KINSLER:  My men near Vergil's data-center tripped the fire response system.   | |||
He suffocated and froze.  | |||
KINSLER:  Not a bad way to go, all things considered...  | |||
KINSLER:  I wanted to tell you face to face.  | |||
SADIE: [Cries softly.]  | |||
KINSLER: (pouring a drink) Please, get all your tears out now.  | |||
KINSLER:  It's a long ridem and I don't want to hear you moaning all the way  | |||
to Nairobi.  | |||
KINSLER:  Well, come to think of it... I might.  | |||
CORRUPT COP #1: (on radio) No sign of it yet, sir.  | |||
KINSLER:  It's a pink, airborne octopus.  How hard could it be to find?!  | |||
CORRUPT COP #1:  The tunnels are crawling with Buggers, Commissioner.  We've  | |||
lost a lot of men.  Maybe we should--  | |||
KINSLER:  No one leaves until I get that alien!  Do you hear me, officer?  | |||
KINSLER:  It found a way to hack a Superintendent-class A.I.!  Knowing how  | |||
it did that is vital to the war effort!  | |||
SADIE:  Like you ever cared about anyone besides yourself!  | |||
KINSLER:  Just because I'm a murderer, doesn't mean I am unpatriotic.  | |||
[SOUND:  Covenant plasma fire hits the station, rocking the train.]  | |||
CORRUPT COP #2:  Covenant armor approaching the station sir.  What do we do?  | |||
KINSLER: (slamming his drink) We wait!  | |||
KINSLER: (sighs) Don't you see the beauty of it, Sadie?  Whatever you think  | |||
of me, whatever I have done...  | |||
KINSLER:  I will leave this city with vital intelligence about the Covenant.  | |||
SADIE:  Bastard!  | |||
KINSLER:  Call me what you like...  | |||
KINSLER:  But the world will call me a hero.  | |||
'''Circle 9, Arc 5'''  | |||
[SOUND:  Corrupt cops fire into the crowd.]  | |||
MIKE: (muffled) Listen to me!  The Covenant are coming!  | |||
CROWD: (muffled) [Angry shouts and panicked screams.]  | |||
MIKE: (muffled) Listen to me if you want to live!  | |||
KINSLER:  I've killed your father, Sadie, and now we're leaving the city.    | |||
No one is coming to save you.  | |||
KINSLER:  Not Branley.  Not Vergil.  It’s the end of the line!  | |||
[SOUND: (from train) Engineer whistle.]  | |||
[SOUND:  Sparks fly from the train's control-panel.]  | |||
KINSLER:  What the hell is that?!  | |||
SUPERINTENDENT: (from train) WARNING, FIREWALL DOWN! CONTROL-CIRCUITS NOW   | |||
OPEN TO REMOTE ACCESS!  | |||
KINSLER:  That damn machine is dead!  I killed it!  | |||
KINSLER:  It doesn't matter.  Anything he does to this car happens to you too!  | |||
MIKE: (muffled) Are you ready to die?  | |||
CROWD: (muffled) No!  | |||
MIKE: (muffled) Do you want to live?  | |||
CROWD: (muffled) Yes!  | |||
MIKE: (muffled) Are you ready to fight?!  | |||
CROWD: (muffled) Yes!  | |||
[SOUND:  Crowd pushes past the cops, pounds on the train.]  | |||
SADIE:  That's it, Mike!  | |||
CORRUPT COP:  We need to move now, sir!  | |||
KINSLER:  Yes...go...  The rest of your men will have to--  | |||
SADIE:  Die?  | |||
CORRUPT COP:  Sir?  We aren't moving.  I've lost engine control!  | |||
KINSLER:  Listen to me, Vergil, or whatever you are now!  Move this train out  | |||
of the station or Sadie dies!  | |||
KINSLER:  You hear me?  The Covenant will kill us all!  | |||
[SOUND: (from train) Angry Engineer whistle.]  | |||
CORRUPT COP:  I'm locked-out the system!  The train is not responding!  | |||
KINSLER:  There is nothing you can do that will hurt me that won't kill her!  | |||
SADIE:  Almost nothing...  | |||
SADIE:  Vergil.  Open the doors.  | |||
[SOUND:  Train's doors open, the angry mob claws inside.]  | |||
KINSLER:  What?  No! No! Get back! Get back! Get away from me!  | |||
[SOUND:  Furious, blood-thirsty shouts.]  | |||
KINSLER: [screams as the crowd tears his apart.]  | |||
'''Circle 9, Arc 6'''  | |||
[SOUND:  Crowd climbs onto the train.]  | |||
CROWD:  Let's go!  Covenant's coming!  | |||
CROWD:  Up we go, baby!  Hold momma's hand!  | |||
CROWD:  Help her up, c'mon, there we go!  | |||
MIKE:  Sadie!  Sadie!  Are you alright?  | |||
MIKE:  What about Kinsler?  | |||
SADIE:  They tore him to pieces... I gotta go, Mike!  | |||
SADIE:  Excuse me!  Sorry!  Let me through!  | |||
MIKE:  Where are you going?!  | |||
SADIE:  Underground!  | |||
MIKE:  What!?  | |||
[SOUND:  Covenant plasma fire slams into the station.]  | |||
SUPERINTENDENT: (from PA) DO NOT EXIT, PLEASE!  | |||
MIKE:  Sadie, stop!  We are getting on that train, and getting the hell out  | |||
of town!  | |||
[SOUND: (from PA) Engineer whistle.]  | |||
SADIE:  That creature helped Vergil!  It helped you and me!  It helped all  | |||
of us!  | |||
MIKE:  Sadie...  | |||
SADIE:  Dad knew how important it was!  That's what he died for!  I'm willing  | |||
to die too!  | |||
SADIE:  Let me go, Mike!  | |||
SUPERINTENDENT: [Engineer whistle.] EMERGENCY STOP!  | |||
SUPERINTENDENT: (as Jonas) 'I am not worth -- your life -- my brave warrior   | |||
princess!'  | |||
SADIE:  If you don't find you, who will?  | |||
SUPERINTENDENT: (as Duty Officer) 'Office of Naval Intelligence--'  | |||
SUPERINTENDENT:  YOUR TAX DOLLARS AT WORK!  | |||
SUPERINTENDENT: (as Stephen) 'Fallen heroes -- on the air.'  | |||
SADIE:  Vergil, I--  | |||
SUPERINTENDENT: (as Sadie) 'I need you to live... for me.'  | |||
CROWD:  Get on the train, you two!  | |||
CROWD:  Brutes!  Coming this way!  Hurry!  | |||
CROWD:  No time!  Argue later!  | |||
MIKE:  We gotta go.  | |||
SADIE:  Vergil!  You're all I have left of this place!  | |||
SUPERINTENDENT: (as Dr Endesha) 'Sadie-- Sadie-- Sadie-- Sadie!  | |||
SUPERINTENDENT: (as Dr Endesha) 'Sadie, sweetheart... You make me very,   | |||
very proud.'  | |||
SADIE:  You're all I have left of him...  | |||
MIKE:  Sadie.  Take my hand.  | |||
SADIE:  OK...  | |||
SADIE:  I'm ready.  | |||
[SOUND:  Train whistles as it leaves the station.]  | |||
SUPERINTENDENT:  ALL ABOARD!  LAST TRAIN NOW DEPARTING!  | |||
SUPERINTENDENT:  NEXT STOP-- MAKUPA, NAIROBI ROAD, HOPE STATION...  | |||
SUPERINTENDENT:  And beyond.  | |||
[SOUND:  Final train whistle and a Vergil chime.]   | |||
</toggledisplay>  | </toggledisplay>  | ||
Version du 9 octobre 2013 à 15:27
Transcription VF
<toggledisplay hidetext=[Masquer]>
Cercle 1, Arc 1
SUPERINTENDENT : (Distributeur de tickets) BONJOUR, VOYAGEUR (Train) BIENVENUE A MOMBASA (Station médicale) ANXIEUX ? STRESSÉ ? (Train) GARDEZ VOTRE CALME (Train) SYSTÈMES DE COMMANDE ACTIVÉ (DAB) A VOTRE SERVICE !
CITY CROWND MALE#1 : Deux pour Hope Station.
SUPERINTENDENT : Bonjour voyage ! Le service de transports vous souhaite la bienvenue à la station Kikowani. En quoi puis-je vous être utile ?
SADIE : Un ticket pour l'Ancienne Mombasa s'il te plait. Prends ma carte... Non c'est traçable. Bon sang. Des pièces, il me faut des pièces !
SUPERINTENDENT : Merci ! Quelle est votre destination finale ?
SADIE : Magongo, si je ne me fais pas prendre. Et sinon...
SUPERINTENDENT : Merci ! Une place pour aller à Magongo.
SADIE : Allez, allez !
SUPERINTENDENT : N'oubliez pas votre ticket !
SADIE : Stop ! Attendez-moi !
SUPERINTENDENT : Train numéro 14 à destination de l'Ancienne Mombasa, départ imminent
SADIE : C'était moins une...
SUPERINTENDENT : Gares desservies : Makupa, Nairobi Road, Hope Station et Magongo, terminus.
SADIE : J'y suis presque...allez...
SUPERINTENDENT : Arrêt d'urgence. Gardez votre calme. Arrêt d'urgence. Gardez cotre calme...
SADIE : Bon sang ! Il m'a retrouvé...
Cercle 1, Arc 2
CITY CROWND MALE #2 : Pourquoi est-ce qu'on s'arrête ?
CITY CROWND FEMALE #1 : Il y a un problème ?
CITY CROWND FEMALE #2 : Combien de temps on va rester ici ?
SUPERINTENDENT : Arrêt d'urgence. Gardez votre calme. Arrêt d'urgence. Gardez votre calme...
SADIE : Virgil, tu ne peux pas arrêter le train ! Il y a plein de monde à bord !
SUPERINTENDENT : Arrêt d'urgence. Gardez votre...
SADIE : Ça suffit, Virgil !
PASSENGER : Qu'est-ce que vous faites, espèce de folle ? Vous parlez au train ?
SADIE : Je ne serai pas là si tu n'avais pas mis tous les feux de signalisation au rouge !
SUPERINTENDENT : DÉVIATION ! SOYEZ PRUDENT !
PASSENGER : Ouah. Attendez... Le train vous répond, maintenant ? Mais qu'est-ce qui se passe ?
SADIE : Je suis vraiment désolée, monsieur. J'essayais juste quitter la ville. Virgil, je vais m'engager.
SUPERINTENDENT : RALENTISSEZ POUR NOS ENFANTS !
SADIE : J'ai dix-neuf ans ! Et en plus, l'UNSC engage absolument tout le monde !
SUPERINTENDENT : [Son : Freinage sec]
SADIE : C'est exactement ce que dirait papa !
PASSENGER : Vous savez...le train n'a pas tord. Il y a beaucoup de soldats qui se font tuer en ce moment.
SADIE : Ce n'est pas un train, c'est une ville. Une ville très très agaçante.
SUPERINTENDENT : [Son : Aboiements de chien]
SADIE : Ça marchait quand j'étais gamine, Virgil. Ouvre les portes. ALLEZ !
CITY CROWND FEMALE#2 : Qu'est-ce qui s'est passé ?
CITY CROWND MALE #5 : Génial. En plus, il faut marcher jusqu'au quai ?
CITY CROWND MALE #4 : Poussez-vous ! Laissez-moi passer !
SUPERINTENDENT : Départ de Hope Station. Départ de Hope Station...
SADIE : Virgil, vas en enfer.
[Son : Rupture spatio-temporelle d'un vaisseau Covenant]
CITY CROWND MALE #1 : Les Covenants ! Fuyez !
CITY CROWND CHILD : Maman ? Qu'est-ce qu'il se passe ?
CITY CROWND MALE #2 : Ils sont là ! Ils nous ont trouvé !
SADIE : Pas la peine. On est déjà en enfer.
Cercle 1, Arc 3
CITY CROWND MALE #4 : Fuyez ! Les Covenants arrivent !
CITY CROWND MALE #6 : Ils faut que j'atteigne les docks. Si je peux monté sur un bateau...
CITY CROWND FEMALE #2 : S'il vous plaît, laissez-moi monter ! Sortez-moi d'ici ! Attendez !
CITY CROWND MALE #1: Je peux utilisé vote chatteur ? Pour appeler ma famille !
CITY CROWND FEMALE #3 : Je leur ai dit ! Je leur ai dit que ça nous tomberait dessus ! Ils n'ont rien écouté et voilà : On va tous mourir !
SADIE : Virgil ? Tu m'entends ? J'utilise mon chatteur. Je suis descendue à l'Ancienne Mombasa et...
SUPERINTENDENT : STATIONNEMENT INTERDIT ! CONTRAVENTION ET ENLÈVEMENT !
SADIE: Je sais ! Je le vois ! Un vaisseau Covenant gigantesque...pile au dessus du centre-ville ! Il y a un kiosque sur la plate-forme ! Station Makupa ! On se retrouve là-bas ?
SADIE : Excusez-moi ! Pardon ! Eh ! Laissez passer !
SUPERINTENDENT : Veuillez indiquez votre destination !
SADIE : Virgil, connecte-moi sur papa ! Vite !
SUPERINTENDENT : Désolé, destination inconnue.
DR. ENDESHA : Sadie ! Où es-tu ?
SADIE : La gare de l'Ancienne Mombasa. Papa, il y a un vaisseau...
DR. ENDESHA : Ecoute, mon cœur. Je voulais t'en parler ce matin mais tu es partie trop tôt. Tu sais, mon dernier projet ? L'étude sismique pour construire le nouveau centre-ville ? Virgil a trouvé quelque chose sous la ville. Je n'avais jamais rien vu de t...
SADIE : Papa ! Il y a un vaisseau COVENANT...
DR. ENDESHA : Je n'avais jamais rien vu de tel !
SADIE : PAPA ! Les Covenants attaquent la ville ! Tu entends ce que je dis ? Il faut sortir de là ! Tout de suite !
DR. ENDESHA : Ne t'en fais pas, je suis au neuvième sous-sol et le centre de données de Virgil est extrêmement sûr.
SADIE : Bon. Alors je te rejoins.
DR. ENDESHA : Non ! C'est hors de question ! Ne bouge pas d'où tu es ! Je vais dire à Virgil de...
SADIE : Désolé papa <fake static> euh... Ça va trancher <fake static>...
DR. ENDESHA : C'est une connexion vidéo, Sadie. Je vois bien que c'est toi qui fais ces bruits.
SADIE : Bon. Alors, euh... Virgil, renvoie ce train en sens inverse...
DR. ENDESHA : Sadie ENDESHA ! Je ne te laisserai pas te mettre en danger... Mais qu'est-ce que c'est que ce bruit ?
SADIE : Oh oh. Ils arrivent.
[Son : Mortier d'Apparition explosant contre le train]
Cercle 2, Arc 1
CITY CROWND MALE #3 : Ils ont fait sauter le train !
CITY CROWND FEMALE #2 : (Cri) Mon mari était à bord !
CITY CROWND MALE #6 : Regardz où vous allez !
SADIE : (Tousse et suffoque) Oh ! Eh! Ne poussez pas !
KINSLER : Sadie ? Mademoiselle Endesha ?
SADIE : C'est vous monsieur Kinsler ? Ouh ! (Grognements) Mais poussez-vous !
KINSLER : Officier Branley, calmez cette foule avant qu'elle se fasse piétiner sur le trottoir !
MIKE : Oui, chef !
Mike : Police de Mombasa ! Laissez passer !
CITY CROWND MALE #1 : Saletés de flics !
CITY CROWND MALE #3 : Eh ! Donne-nous ta voiture !
[Son : Deux tirs de Magnum]
MIKE : J'ai dit : on s'écarte ! Vous êtes blessée ?
SADIE : Non. Ça va allé..
CITY CROWND FEMALE #3 : Eh, pourquoi elle et pas nous ?
CITY CROWND MALE #3 : Donne-nous ta bagnole, sale flic !
KINSLER : Branley ! Faites-là monter !
MIKE : Me lâché pas. Il faut y allé.
KINSLER : Mais pourquoi diable vous baladez-vous dans la vieille ville ?
SADIE : Il y a eu...un problème avec le train...
KINSLER : Ne me dites rien... (Rires) Je connais bien Virgil et son côté extrêmement protecteur, Sadie.
CITY CROWND MALE #4 : Enfoirés de flics ! Ouvrez !
KINSLER : Branley ! Demarrez !
MIKE : Oui, monsieur. Où faut-il aller ?
KINSLER : C'est une très bonne question...
SADIE : Mon père. A son bureau...
KINSLER : Au Centre de données, sous le bâtiment de l'ONI ? Non, je ne crois pas. Il y a beaucoup trop de Covenants dans ce secteur...
KINSLER : Je vais vous emmener dans un endroit bien plus tranquille.
</toggledisplay>
Transcription VO
<toggledisplay hidetext=[Masquer]> Circle 1, Arc
SUPERINTENDENT:  HELLO, TRAVELER.  MOMBASA WELCOMES YOU!  ANXIOUS?
STRESSED?  PLEASE REMAIN CALM.  CONTROL CIRCUITS NOW OPEN -- WITH PRIDE!
[SOUND:  Vergil chime.]
[SOUND: Trains whistle as morning commuters crowd the station.]
KIOSK: (from speaker) Hello, traveler! The Mombasa Transit Authority welcomes you to Kikowani station. How may I serve you?
SADIE: One ticket to Old Mombasa, please. Here's my card-- No, scrap that. Traceable.
SADIE: Damn it! Coins, need coins...[Puts coins in the kiosk.]
KIOSK: Thank you! What is your final destination?
SADIE: Magongo, if I don't get caught...Hell, if I do.
KIOSK: Thank you! Transport for one to Magongo!
SADIE: Let's go, let's go!
KIOSK: Please collect your ticket.
SADIE: Wait! Hold the doors, please!
[SOUND: train doors slid shut.]
TRAIN: (from speakers) All aboard Train number 14.
SADIE: That was close...
TRAIN: Next stop-- Makupa, Nairobi Road, Hope Station and Magongo-- end of the line.
SADIE: Almost there... almost--
[SOUND: Train squeals to a stop.]
SUPERINTENDENT: (from train) EMERGENCY STOP. PLEASE REMAIN CLAM. EMERGENCY STOP --
SADIE: Damn it! He found me.
Circle 1, Arc 2
[SOUND: Train grinds to a stop.]
CROWD: Is something wrong?
CROWD: How long are we going to sit here?
SUPERINTENDENT: (from train) EMERGENCY STOP. PLEASE REMAIN CLAM. EMERGENCY STOP--
SADIE: Vergil, you can't stop the train! There are other people on board!
SUPERINTENDENT: (distorted) EMERGENCY STOP--
SADIE: Cut it out, Vergil!
PASSENGER: What are you doing, crazy lady? Talking to the train?
SADIE: (to Vergil) I wouldn't even be here if you hadn't kept turning all the traffic signals red!
SUPERINTENDENT: [Vergil chime.] DETOUR! PROCEED WITH CAUTION!
PASSENGER: Whoa. Wait... Train's talking back to you now? What the heck's going on?
SADIE: Sir, I'm really sorry about this. I was just trying to get out of the city.
SADIE: (whisper) Vergil, I am going to enlist!
SUPERINTENDENT: WATCH YOUR SPEED! CHILDREN AT PLAY!
SADIE: I'm nineteen.
SADIE: And besides, the UNSC is taking everyone it can get!
SUPERINTENDENT: [plays recording of traffic accident.]
SADIE: That's exactly what Dad would say!
PASSENGER: You know...train's got a point. A lot of soldiers are dying these days.
SADIE: He's not a train, he's a city.
SADIE: (whisper, to Vergil) A bad, bad city!
SUPERINTENDENT: [whines like a puppy.]
SADIE: That worked when I was a kid, Vergil. Open the doors, now!
[SOUND: Train doors hiss open]
CROWD: What was that all about?
CROWD: Great, so now we have to walk to the station?
CROWD: Out of my way! Let me through!
SUPERINTENDENT: NOW DEPARTING, HOPE STATION. LEAVING, HOPE STATION--
SADIE: Vergil... go to hell.
[SOUND: Crackling roar of Covenant slip-space rupture]
CROWD: The Covenant! Run!
CROWD: Mommy! What's happening?
CROWD: They're! They've found us!
SADIE: Scratch that... Hell just came here.
Circle 1, Arc 3
[SOUND: Cars honk, crowd panics as a Covenant carrier passes overhead.]
CROWD: Move! The Covenant are coming!
CROWD: Please, mister, you gotta take me! Get me outta here! Please! Wait!
CROWD: Can I use your chatter? I gotta call my family!
CROWD: I told'em! I told'em this was gonna happen! They don't listen, and now we are all going to die!
SADIE: (into Chatter) Vergil? Can you hear me? I'm on my Chatter. But I'm off the train in Old Mombasa and--
SUPERINTENDENT: (from Chatter) NO PARKING. VIOLATORS WILL BE TICKETED AND TOWED.
SADIE: I know! I can see it! A giant Covenant ship, just hanging above the city center!
SADIE: There's a kiosk on the platform! Makupa station. Meet me there, okay?
SUPERINTENDENT: [Vergil chime.]
SADIE: (pushing through the crowd) Excuse me! Sorry. Hey! Watch it, mister!
KIOSK: (from speaker) Please state your destination.
SADIE: Vergil, give me eyes on Dad! Quick!
KIOSK: I'm sorry. I didn't recognize that-- [distortion]
DR ENDESHA: (from kiosk) Sadie? Where are you?
SADIE: Train station. Old Mombasa. Dad, there's a ship--
DR ENDESHA: Listen sweetheart. I wanted to tell you at breakfast, but you left so early...
DR ENDESHA: You know my latest project? The seismic survey for the new construction downtown?
SADIE: Dad! There's a Covenant ship--
DR ENDESHA: Well, Vergil found something under the city. I've never seen anything like it--
SADIE: Dad! Covenant are attacking the city! Do you hear what I'm saying! You've got to get out of there!
DR ENDESHA: Don't worry, I'm nine levels underground. And I built Vergil's data-center to be very, very secure.
SADIE: Fine. Then I'll come to you.
DR ENDESHA: No! Absolutely not! Stay exactly where you are! I'll have Vergil--
SADIE: Sorry Dad! (fakes static) There's, uh, something wrong...
DR ENDESHA: This is a video connection, Sadie. I can see you making those sounds.
SADIE: Right... Well, tough!
SAID: Vergil, get that train going in reverse!
DR ENDESHA: Sadie Endesha. I will not allow you to put yourself in danger--
[SOUND: Whistle of Covenant plasma fire]
DR ENDESHA: What's that noise?
SADIE: Uh oh... Incoming!
[SOUND: Covenant plasma fire slams into station.]
Circle 2, Arc 1
[SOUND: Covenant plasma fire slams into station.]
CROWD: They blew up the train!
CROWD: No! My husband was on board!
CROWD: Screw you! I'm outta here!
[SOUND: Siren wails as a police car pulls up to the curb beside the station.]
SADIE: (moves through the crowd to street, coughs) Ow! Hey! Stop pushing!
KINSLER: (from police car) Sadie? Miss Endesha, is that you?
SADIE: Commissioner Kinsler!? [to crowd] Ow! Get off of me!
KINSLER: Officer Branley! Control this crowd before they trample her into the sidewalk!
MIKE: (exiting car) Yes, sir!
MIKE: NMPD! Everyone back off!
CROWD: Lousy cops.
CROWD: Hey! Give us your car!
MIKE: I said, back off! (Fires pistol into the air)
MIKE: (to Sadie) Are you hurt?
SADIE: No, I'll be alright...
CROWD: Hey, why don't you help us?
CROWD: Yeah, give us your car, cops!
KINSLER: Branley! Get her inside!
MIKE: Take my hand. We gotta go.
[SOUND: Sadie and Mike enter the car and slam the doors.]
KINSLER: What the devil are you doing out in the old city?
SADIE: There was...something wrong with the train.
KINSLER: You don't say...
KINSLER: (laughs) I know all about Vergil and his overprotective urges, Sadie.
[SOUND: Angry crowd pounds on the car]
KINSLER: Branley! Drive!
MIKE: Yes sir! [Honks car horn.] What's our destination?
KINSLER: That's a very good question...
SADIE: My dad. He's at work.
KINSLER: The data-center below the ONI building?
KINSLER: No, I don't think so. There are too many Covenant in that district.
KINSLER: I'd like to take you someplace much more... private.
[SOUND: Police car accelerates away from the station.]
Circle 2, Arc 2
[SOUND: Police car accelerates away from the station.]
KINSLER: Branley? The partition, if you please.
MIKE: Yes, sir... [Raise the privacy partition]
SADIE: Where are we going?
KINSLER: The police department has an emergency bunker outside the city limits. We'll be very safe.
SADIE: That's very kind of you, Commissioner. But I can't, I'm sorry. If you would please take me to the city center--
KINSLER: Such a serious young women. Just like your mother... 'New Mombasa's most passionate public defender.'
KINSLER: Too bad her last client really was a sick, murdering bastard.
KINSLER: (sliding across the seat closer to Sadie) She had your eyes...
SADIE: (into her Chatter) Vergil, stop the car!
KINSLER: As police commissioner it’s my job to uphold the law. And I'm afraid this city has very strict, personal privacy statues.
KINSLER: My car is off the grid, Sadie. As far as Vergil is concerned, you just disappeared...
[SOUND: Sadie slaps Kinsler's face]
KINSLER: (laughs) Assaulting a police officer. That's a serious offence.
SADIE: Don't come any closer!
KINSLER: (laughs) Just like your mother...
SADIE: (struggling) Let go of me!
KINSLER: It's the end of the world...
SADIE: Vergil! Please! Somebody!
KINSLER: Nobody cares what happens to one...lost...soul!
[SOUND: Tires squeal as the car comes to an abrupt stop]
KINSLER: Officer! Why are we stopping! Keep going!
[SOUND: Mike exits the car and opens Kinsler's door]
MIKE: Get out.
KINSLER: What?!
MIKE: You heard me... [Grabs Kinsler]
KINSLER: Let go of my coat! What do you think you're doing?
MIKE: My job.
[SOUND: Mike punches Kinsler, knocking him to the ground]
SADIE: I hope that hurt, you son of a bitch!
KINSLER: (panting) Not as much as you're going to hurt when I--
[SOUND: Mike punches Kinsler again.]
MIKE: Commissioner, I'm taking the car.
MIKE: You want to get out of the city? You can walk like everyone else. [Enters car, slams door]
KINSLER: (spitting blood) You'll pay for this, Branley!
MIKE: It's the end of the world... Nobody cares what happens to you.
[SOUND: Tires squeal as the car pulls away from Kinsler.]
Circle 2, Arc 3
[SOUND: Mike lowers the privacy partition.]
MIKE: You okay back there?
SADIE: Thanks for...pulling him off me.
MIKE: Kinsler had it coming. I've been his driver for two weeks? Seen enough to last a lifetime...
MIKE: Name's Mike. Mike Branley.
SADIE: Sadie Endesha.
SADIE: You know for a cop, you make a pretty good guardian angel.
MIKE: Ex-cop.
SADIE: Yeah... Sorry about that.
MIKE: Ah, I was looking for a career change anyway.
SADIE: How about solider?
[SOUND: Distant explosions in the city.]
MIKE: Does seem like a growth sector...
SADIE: Mike. I need to get back over the bridge, to the ONI building downtown.
MIKE: Well that's a problem, because I need to keep away from Covenant plasma fire.
SADIE: OK...just drop me off here.
MIKE: Don't be stupid! What are you going to do?
MIKE: Fight your way through a few million refugees just so the Covenant can kill you a little faster?
SADIE: (whisper) And this is why you always bring cab fare on a first date...
MIKE: I'm trying to save your life!
SADIE: You're trying to save your own ass!
MIKE: And yours!
SADIE: I think I'm the only person in this car who needs to be thinking about my ass!
MIKE: Fine.
SADIE: Fine!
[SOUND: Tires squeal as the car comes to an abrupt stop.]
SADIE: (opening her door) Thanks for saving me for, like three minutes!
MIKE: You're welcome!
[SOUND: Sadie slams her door, Mike drives away.]
SADIE: Well...I sure showed him.
Circle 3, Arc 1
[SOUND: Tires squeal as Mike's car pulls away from Sadie.]
SADIE: Great. I'm stranded on the wrong side of the bridge in the middle of an alien invasion...
SADIE: And I just pissed-off the only person willing to help me out.
SADIE: Go me.
[SOUND: A goat near Sadie bleats.]
SADIE: My feeling exactly...
CROWD: Move those animals!
CROWD: Step aside! Let us pass!
CROWD: Clear those out of the street, we need to move!
SADIE: (into her Chatter) Dad?
DR ENDESHA: (from the Chatter) Sadie? Thank God! Vergil couldn't find you anywhere!
SADIE: Yeah, you can thank Kinsler for that.
DR ENDESHA: Police Commissioner Kinsler? What do you mean?
SADIE: I don't want to talk about it...
JONAS: Get your kebabs here!
SADIE: Oh my God!
DR ENDESHA: What? What is it, Sadie?
SADIE: The biggest man I've ever seen!
DR ENDESHA: Where are you?
SADIE: The Old Town Market. A butcher is giving away his food.
SADIE: Too bad it won't keep the Covenant from glassing the city...
DR ENDESHA: They won't glass the city!
SADIE: (walking to the butcher) Hang on, dad...
DR ENDESHA: I'm in contact with an ONI officer. She thinks these Covenant are just a reconnaissance force.
DR ENDESHA: And I think they are looking for the same thing Vergil found in his seismic survey!
SADIE: Dad, I'll call you back.
[SOUND: Honking car horn]
ANGRY DRIVER: Move, you oaf! Get that table out of the road!
JONAS: Calm yourself, friend. Stop honking (laughs) and have a kebab.
ANGRY DRIVER: For the last time, move your fat ass--
[SOUND: The car creaks as Jonas leans on the hood]
ANGRY DRIVER: Hey! Get off my car!
JONAS: My friend, I am an eight hundred pound man with a large cleaver who kills animals every day and chops them into pieces.
JONAS: (laughs) Do you really want us to be enemies? Or would you rather have a nice kebab?
Circle 3, Arc 2
[SOUND: Bleating goats and a honking car horn.]
CROWD: Mommy, that's too loud!
CROWD: Somebody make him stop!
CROWD: Move that car!
ANGRY DRIVER: (honks) For the last time, you blimp! Get out of the road!
[SOUND: Jonas hefts his cleaver and smashes it into the car.]
ANGRY DRIVER: You put your cleaver through the hood of my car!
JONAS: Oh, a thousand pardons. But it was either that or smash your windshield, pull you out...
JONAS: And make you into kebabs.
ANGRY DRIVER: What? No! No-no! Hey wait!
JONAS: Then please, stop honking your horn. It frightens the children.
[SOUND: The car backs-up quickly.]
SADIE: (into her Chatter) Sorry, Dad. There was sort of a...thing here. What where you saying?
DR ENDESHA: (from the Chatter) Sadie, New Mombasa is the only place on Earth the Covenant are attacking.
SADIE: What? Why?
DR ENDESHA: Vergil's survey! He detected some very unusual seismic activity all along the Great Rift.
JONAS: (to Sadie) Would you like a kebab, young lady? Chicken, mutton, beef! One free for every refugee!
SADIE: I'm not a refugee! I'm going...there!
JONAS: Across the bridge! To where the aliens are landing?
JONAS: Take two kababs...
DR ENDESHA: Sadie, stay out of the city center! I don't want you coming anywhere near the security zone!
SADIE: Sorry, Dad. Gotta go. I'll call you back.
DR ENDESHA: Sadie-- (Chatters disconnects)
JONAS: Come my friends, don't be shy! Free food for the journey!
CROWD: Thank you! Asante. Asante sama.
[SOUND: Distant explosions in the city.]
JONAS: Now young lady... If you are heading into in the war zone, you must eat! Curried lamb? Roast chicken?
SADIE: They look delicious. Really. But I'm not hungry.
[SOUND: Another explosion near the market.]
JONAS: (biting into a kebab) My dear...
JONAS: The end of the world is nothing to face...(swallows) on an empty stomach.
[SOUND: Jonas chews, burps loudly and continues to eat his kebab.]
Circle 3, Arc 3
[SOUND: Jonas ignores nearby explosions and continuous to loudly chew his kebab.]
SADIE: Listen, what you're doing? Feeding all these hungry people? It's really a noble thing...
SADIE: But you can't stay here! The fighting is going to spread -- across the water, into the old city!
JONAS: (chews and swallows) Would you be a dear and run to the wine merchant?
JONAS: (burps) This lamb would be perfect with a twenty-three Ida Sirah...
SADIE: I understand you're...too heavy to walk very far. But there are other options!
JONAS: (laughs) You could carry me, perhaps?
SADIE: (into the Chatter) Vergil, you listening?
SUPERINTENDENT: (from Chatter) [Vergil chimes]
SADIE: I need you to divert a city vehicle to my current location. A forklift, or maybe an Olifant--
JONAS: A garbage truck? I thnk I am insulted.
SADIE: If you stay here, you'll die!
SADIE: You need to get to the train station. Or the waterfront -- it's much closer!
JONAS: Look at me...
JONAS: Nobody is going to give me a place on a boat, a bus, or a train. I would take up five seats.
JONAS: I am not worth five people...
SADIE: You can't just give up -- throw away your life!
JONAS: And what about your life? You seem determined to go to the one place you are most likely to die.
SADIE: I'm going to find my father. He needs me. Just like all your customers need you!
JONAS: Very well, young lady. I am convinced. I to will leave Mombasa...
SADIE: Good!
JONAS: ...As soon as you do.
SADIE: No!
JONAS: First you make your father safe. Then you come back and rescue me!
JONAS: My brave warrior princess, riding her fearless fork-lift! (laughs)
SADIE: Deal. Just... don't give up.
JONAS: Well if I run out of hope? (laughs) I will still have kebabs!
[SOUNDS: Covenant plasma fire slams into the market.]
CROWD: The Covenant's getting closer!
CROWD: My shop! Everything is gone!
SADIE: (pushing through crowd) Excuse me. Ow! Sorry!
SADIE: (to Jonas) I'll be back soon!
JONAS: Of course you will.
CROWD: Wrong way, crazy girl!
SADIE: Please, just let me through!
SUPERINTENDENT: (from Chatter) CAUTION ONE WAY STREET!
SADIE: Stop it, Vergil.
SUPERINTENDENT: WARNING! NO U-TURN ALLOWED!
SADIE: I'll find Dad. Then I'll come back.
SUPERINTENDENT: [whines like a puppy.]
SADIE: I'm not crying...
SADIE: I'm not.
Circle 4, Arc 1
[SOUND:  Civilians scream as fighting rages in the city.]
CROWD:  Oh God, Oh god!
CROWD:  Out of the car!  We'll go on foot!
CROWD:  No! My bags!  I have my whole life in there!
CROWD:  I don't give a damn!  Leave it!
LOOTER:  Smash the machines!  Take the money!
LOOTER:  Get back!  This one's mine! 
LOOTER:  Screw you!  There's plenty for everyone!
ATM: (from speaker) Welcome to your African Trust automated teller machine!
Banking with pride!
SADIE:  Finally, an ATM that still works... Vergil, get Dad!
ATM:  Please place your right hand-- (distortion)
DR ENDESHA: (from ATM) Sadie!  Where are you?
SADIE:  Outside one of the casinos, down by the river!  I can barely hear
you, dad!  There are looters inside smashing everything!
DR ENDESHA:  Covenant troops are spread all over the city center!
DR ENDESHA:  I can see them on the monitors in my lab!  You've got to get as
far away as you can--
SADIE:  Forget it!  I'm coming to get you!  End of discussion!
[SOUND:  Smashing glass and a scream from inside the casino.]
SUPERINTENDENT:  (from ATM) INVEST WISELY!  OPEN A PERSONAL SAVINGS ACCOUNT
TODAY!
DR ENDESHA:  Listen to Vergil, Sadie!
SADIE:  This looting is just the beginning, dad!  
SADIE:  Pretty soon we won't need the Covenant to tear us apart -- we'll 
do that all by ourselves!
SADIE:  Vergil, you've watched me all my life, kept me safe.  Now, you've got
to save the city!
[SOUND:  Vergil plays a recording of a police siren over the PA.]
LOOTER:  It's the cops.  Run for it!
LOOTER:  Crap.  Grab what you can and go!
LOOTER:  No way I'm getting busted!
SADIE:  That-a-boy!  Scare them all the way to the river!  I know they can
afford the ferry!
SADIE:  Dad, can Vergil track the Covenant as they move?  Stream positional
data to the UNSC?
DR ENDESHA:  Yes, I might be able to re-configure the traffic congestion
cameras to isolate known Covenant vehicle profiles.
SADIE:  Maybe the ARGUS sniffers can pick up their soldiers too?
SADIE:  I've only seen vids of the different Covenant species, but I bet they
all stink in their own, special way.
DR ENDESHA:  That's an excellent idea!  Vergil, get right on it!
SUPERINTENDENT: (from ATM) [Vergil chimes]
DR ENDESHA:  Sadie, I know I've been busy, and we don't always have time to
talk.
DR ENDESHA:  But sweetheart...you make me very, very proud. 
SADIE:  Well...I just figure if we know where the bastards are, we can at
least run away better.
[SOUND:  Shotgun pump.]
CRONE:  That was a nice trick with the police sirens, girly.  But I ain't
so stupid. 
CRONE:  Step away from that cash machine, or I'm going to blow your pretty
head off!
Circle 4, Arc 2
[SOUND:  Distant explosions mix with the jingle of nearby slot-machines.]
CROWD:  She's got a shotgun!  Look out!
CROWD:  Come on!  She's old, we can take her!
CRONE: (shoots into the air) You think I'm deaf?!  Last warning!  Back away 
from my cash machine!
CRONE: (to Sadie) You too, girly!
DR ENDESHA: (from ATM) Sadie, get out of there!
SADIE:  Look, I'm stepping back OK?  Why don't you put down your gun--
CRONE: (shoots into the air) Time to break the piggy bank!
SADIE:  Hey!  You almost hit me!
[SOUND:  The Crone smashes the ATM with her fist.]
SUPERINTENDENT: (from ATM) AFRICAN TRUST--
CRONE:  Open up!
SUPERINTENDENT:  BANKING WITH PRIDE!
CRONE:  Open up!
[SOUND:  As the Crone continues smashing, a drop ship flies toward the
casino.]
SADIE:  Everyone!  Listen!  That's a Covenant drop-ship!
LOOTERS:  Commies!  Let's get out of here!
LOOTERS:  Leave the money!  Run!  Run!
CRONE:  Forty years I've been coming to this place.  Forty years of losing 
my hard earned cash...  
CRONE:  Well, today I hit the jackpot!  You hear me, you damn machine?  I...
want...my...money!
[SOUND:  The Crone shoots the ATM.]
SUPERINTENDENT: [Vergil chime] INCORRECT PASSWORD.  PLEASE REMOVE YOUR CARD.
SADIE:  Vergil, give her the money!  Then we've got to find some cover!
[SOUND:  Money whirls out of the ATM.]
CRONE: (laughs) Out of the way, you little slut!
SADIE: (running) Gotta find a place to hide...There!  Dumpster.  Across the 
street.
[SOUND:  Brutes exit the drop-ship and walk to the ATM] 
SADIE: (whispers) Brutes!  Look how big they are!
CRONE:  Jackpot!  I win!  I win!
SADIE: (whispers) Move!  They're right on top of you!  
BRUTES: [Angry roar.]
SADIE:  Oh my God!  It just tore the ATM off the casino wall!
[SOUND: the Brutes slams the ATM into the Crone.]
CRONE: [gurgling scream.]
SUPERINTENDENT: (from Chatter) TRANSACTION COMPLETE!  PLEASE COME AGAIN!
Circle 4, Arc 3
[SOUND: Slot-machines jingle inside the casino.]
CRONE: (dying) Jackpot...jackpot...
SADIE: (whisper) Oh my God!  She's crushed under the ATM!
BRUTE: [Angry growl.]
SADIE: (whipser) Please, don't look behind this dumpster, you big dumb Brutes.
Please, please, please...
BRUTE: [Angry roar.]
CRONE:  Alien son of a bitch!  Think I'd share any of this with you--
[SOUND: A Brute shoots the Crone then they all march down the street.]
SADIE:  That's it... keep walking.  Nothing more to see here...
DR ENDESHA: (from the Chatter) Sadie, are you all right?!
[SOUND:  The Brutes turn and shoot Sadie's dumpster.]
SADIE:  I was!
[SOUND:  The Brutes are shooting at Sadie as she runs for cover.]
DR ENDESHA:  I'm sorry!  Run!  Run!
[SOUND:  Suddenly, a car races down the street, smashes the Brutes and
then plows into the casino.]
BRUTES: [Dying growls.]
SADIE:  Vergil?!  I car just came out of nowhere-- smashed into the Brutes! 
Was that you?
[SOUND:  The car door opens with a groan.]
MIKE: (exiting the car) My head...I thought air-bags where supposed to 
stop you from getting hurt.
SADIE:  Mike!  You came back!
DR ENDESHA:  Who's 'Mike'?  Sadie, what's going on?
SADIE:  Hang on, dad...
SADIE: (to Mike) Let me help you out of there.
MIKE: (groans) I'm OK...  Seriously.
SADIE:  That whole macho tough-guy thing?  It's never really worked for me.
SADIE:  Give me your hand...
MIKE:  Uhn... Be gentle.
MIKE:  Take me around front.  Let me see what I hit...
MIKE:  Brutes huh?
MIKE:  Well that's never coming out of the grille.
Circle 5, Arc 1
[SOUND:  Jingle of slot-machines, groaning car metal.]
DR ENDESHA:  Sadie, thank the gentleman.
SADIE: (whisper) Great etiquette tip, Dad!  Let me get back to you... 
[Chatter disconnect]
SADIE:  My father says I should thank you for saving my life.
MIKE:  Couldn't save the car, though.  I think there's something stuck in 
the.. Oh.
SADIE:  That's a..  Eww.
MIKE:  Paw...  Yeah. I can see that.
SADIE:  Mike.  Seriously.  Thanks.
MIKE:  Hey, I didn't want to be the guy who leaves the damsel in distress.
SADIE:  Plus all the lights turned red when you tried to drive away.
MIKE:  How did you...?
SADIE:  Vergil.
MIKE:  Who's that?  Your... boyfriend?
SADIE: (laughs) Not quite.  You know the Superintendent?
MIKE:  Sure.  The AI that runs the city.  Picks up the garbage, monitors the
traffic.  It helped me trace a license-plate last week.
SADIE:  Well... Vergil is part of the Superintendent-- a subroutine my Dad 
wrote to look after me when I was a kid.
MIKE:  Look after you?
SADIE:  After my mom died, it was just Dad and me.  He did his best.  But
his job...
SADIE:  When Dad couldn't be there, Vergil was.
SADIE:  He helped me get to school on time, made sure I bought a healthy 
lunch and didn't watch too much TV...that sort of thing.
MIKE:  Must have been annoying.
SUPERINTENDENT: (from Chatter) YOUR TAX DOLLARS AT WORK!
SADIE:  It still is...
SADIE:  Mike.  Why are you helping me?
MIKE:  I'm a cop.  'Service to All,' right?
SADIE:  Uh-huh.
MIKE:  Look, the city is under attack... A lot of people need help.
MIKE:  Well... I can die a hero or I can die a coward but--
SADIE:  Got any choices that don't involve dying?
[SOUND:  distant explosions in the city center.]
MIKE:  Not if you want to go back over that bridge.
Circle 5, Arc 2
[SOUND:  Honking car horns and panicked screams.]
CROWD:  Hold my hand, son!  Don't look down!
CROWD:  Is it true?  That they've shut down the tether!?
CROWD:  Officer?  Where should we when we're off the bridge?
COP:  Just keep walking!  Get out of the city!
COP:  Everyone try and stay calm!  Marines will be here soon!
PROPAGANDA: (from PA) Citizens!  Your neighbors are resisting!  
PROPAGANDA:  A popular uprising is inflicting heavy causalities on the 
invaders!  We will prevail!
MIKE:  How are we going to get across this bridge?  It's packed!
SADIE:  Good manners and pointy elbows!
MIKE: (whisper) Jeez, Branley.  The things you do for a kiss...
SADIE:  What?
MIKE:  I said, I won't let you down, miss! 
SADIE:  Right!
CROWD:  Ow, wrong way, girl!
CROWD:  Hey!  Watch where you are stepping!
SADIE: (pushing through crowd) Excuse us!  Sorry!
MIKE:  Hey, step aside!  Police business!
SADIE:  It's an emergency!  Let us through!
MIKE:  Step aside people!
SADIE:  You know, if the panicked mobs would just stay in nice, neat lines
we'd--  Ow!  Watch it!-- get across this bridge a lot faster!
MIKE:  Do you hear that?
SADIE:  What, the water?  Don't tell me you're afraid of heights!
MIKE:  Pelican drop-ship.  Hard to see through all this smoke.  But its 
heading our way.
SADIE: (to Chatter) Vergil?  Got eyes in the sky?
[SOUND: (from Chatter) Vergil chime followed by a tapping and barking.]
SADIE:  Not good.  Cane tapping.  Seeing-eye dog.  Means Vergil can't see 
it...
MIKE:  And who do we know that likes to travel off the grid?
CROWD:  That's a police drop-ship!  We're saved!
CROWD:  We can't all fit on that!
CROWD:  Says you!  I'm getting on first!
[SOUND:  A Pelican drop-ship settles on the bridge and opens its troop-bay
door.]
MIKE:  Aww, crap...
KINSLER:  Hello, Sadie...  Remember me?
Circle 5, Arc 3
[SOUND:  Kinsler's Pelican drop-ship settles on the bridge.]
CROWD:  The commissioner!  We're saved!  He has a drop-ship!
CROWD:  Yeah, and a sub-machine gun!
CROWD:  Why's he pointing it at that girl?
CROWD:  Not our problem!  Keep moving.
KINSLER: (readies his weapon) It's so good to see you again Sadie.
KINSLER:  But please, no sudden movements.  This Pelican isn't the stablest
thing to stand on.  I'd hate to shoot you accidently.
KINSLER:  Branley.  Your service pistol.  Remove it from your hostler.
Slowly...
MIKE:  Yeah, yeah...
KINSLER:  Now toss it off the bridge.
[SOUND:  Mike throws his pistol into the water.]
KINSLER:  Good.  Now, I must say, Sadie.  You play very hard to get.
SADIE:  Bet that makes you angry.
KINSLER:  Oh... quite the opposite.
SADIE: (whispers into Chatter) Vergil... a little help here!
KINSLER:  Your chatter made you easy to track.  But I think you and Vergil
have talked quite enough.  Take it off.
[SOUND:  Sadie rips her Chatter off her wrist.]
KINSLER:  Now smash it!
[SOUND:  Sadie crushes her Chatter with her foot.]
KINSLER:  Do you know what I've learned in all my years in politics?
SADIE:  That you're an asshole?
KINSLER:  The value of escalation.  For example, last time we met, Branley
hit me with his fist.
MIKE:  Keep talking.  I might do it again.
KINSLER:  I think not.  This time, I have a sub-machine gun.  You see?
Escalation....
KINSLER:  Goodbye, Branley.
SADIE:  Do it and you're a dead man.
KINSLER:  Sadie.  You're such a bright, beautiful girl.  You have no idea
how much it pains me when you act so incredibly stupid.
[SOUND:  Rattle of approaching treads.]
KINSLER:  I have.  The gun.
SADIE:  Yes... But I have the garbage truck.
[SOUND:  Metal crunch as an Olifant smashes into the Pelican.]
CROWD:  An Olifant just hit that Pelican!
CROWD:  Don't see that every day!
KINSLER:  My drop-ship!  That's city property, Vergil!  What the devil do
you think you are doing?
SADIE:  Escalation.
[SOUND:  The Olifant honks then drops its garbage on the Commissioner.]
KINSLER: [Chokes and gags]
CROWD: (laughs) It just dumped its whole load!
CROWD: (laughs) The commissioner is totally buried in garbage!
MIKE:  Ugh... Man, what a smell!
SADIE:  Come on!  That's our ride!
MIKE:  Oh, no...  No, no, no!
MIKE:  I am not getting into the back of an-- (gags) --Olifant.
SADIE:  Think of it as an armored personal carrier, for the ... smell 
impaired.
Circle 6, Arc 1
[SOUND: Olifant engine and clanking treads.]
PROPAGANDA: (from PA) Stay strong, Mombasa!  Our noble militia is hitting 
back hard! The enemy has begun to retreat!
MIKE: (groans) I think I'm going to puke...
SADIE:  Might make it smell better.  
MIKE:  Why do we have to ride back here again?
SADIE:  It's the safest way to get to the ONI building.  If we sit in the
cab, we're targets.
SADIE:  If we let Vergil drive us to the ONI building, the Covenant thinks 
we are just a harmless machine.
SUPERINTENDENT: (from Olifant radio) RECYCLING!  DO YOUR PART!
[SOUND:  The Olifant’s access-door cranks open.]
MIKE:  Uh-oh...  Company!  Get behind me!
TOM:  Finally!  Something between me and all the shooting!  Guess we all had
the same bright idea, huh?
TOM:  Name's Tom Umberti.  Damn glad to meet you!  Married, right?  You two
own a house?  Of course you do!
TOM:  Say, when this is all over, if you're in the market for new ceramic
siding?  Hey now -- I'm your man!
SADIE:  Tom?  Shut-up.
SADIE: Vergil, can you raise Dad on this Olifant's radio?
TOM:  Wow, buddy.  Is she a tough customer or what?
MIKE:  You have no idea.
DR ENDESHA: (from radio) Sadie!  You had me worried half to death!
SADIE:  I'm okay.  What about you?
DR ENDESHA:  The fighting is spreading, damaging all sorts of systems.
Power, data...
DR ENDESHA:  The entire Superintendent infrastructure is close to collapse.
I'm doing all I can but--
SADIE:  Dad, you've done an incredible job of keeping Vergil together.
DR ENDESHA:  Sadie, it's not me...
DR ENDESHA:  It's the Covenant.
Circle 6, Arc 2
[SOUND:  Explosions rock the Olifant on its treads.]
SADIE:  Dad, it's hard to hear inside this Olifant.  Say that again?
DR ENDESHA: (from radio) A plasma bombardment collapsed on of Vergil's
tertiary data-centers.
DR ENDESHA:  I was accessing the damage through the underground cameras, and
I saw Covenant splicing cables, patching switches--
MIKE:  Wait-- the Covenant are helping us?!
TOM:  Well, I'll be damned!
SADIE:  Dad, I just meet my first Brutes.  They didn't seem too helpful.
DR ENDESHA:  No.  The ones in the data-center weren't Brutes-- or any of 
the Covenant I've heard about.
DR ENDESHA:  It's a whole new species, Sadie.  And they are actually quite...
beautiful.
DR ENDESHA:  They have some sort of automatic defense system, but so long as
you don't get too close--
TOM:  You know -- and I'm just thinking out loud here -- maybe this whole
invasion is just one big misunderstanding!
SADIE:  Shut-up, Tom!
DR ENDESHA:  Vergil's observing another group of them now inside Kikowani
Station.
DR ENDESHA:  Hang on a second.  I'll connect the audio feed...
TOM:  Number one rule of sales?  Understand exactly what the customer needs.
Not what he wants -- what he needs.  You understand?
MIKE:  Tom.  Seriously.  Zip it.
DR ENDESHA:  It's dark in the station.  Switching the camera to thermal...
DR ENDESHA:  Strange...  There aren't any Brutes around.  Usually they never
leave them alone.
DR ENDESHA:  Alright, I see six of the new aliens floating in a circle.  
They're surrounding a seventh, touching it with their tentacles...
DR ENDESHA:  Amazing!  You wouldn't believe how fast they can move their
limbs!
DR ENDESHA:  They're working...  Doing something to the explosives in the
seventh's aliens armor--
[SOUND:  Series of loud explosions.]
Circle 6, Arc 3
[SOUND:  Series of loud explosions.]
SADIE:  Dad, what where those explosions?!  Vergil, can't this Olifant
go any faster?!
DR ENDESHA: (from radio) I'm not sure what just happened... Six of the aliens 
are dead.  But I think...
DR ENDESHA:  Sadie, I think they gave their lives to free their companion.
DR ENDESHA:  Yes!  Yes, I can see it floating away down the subway tube.  
Vergil, keep an eye on that one!
MIKE:  Covenant with feelings, huh?  That's a first.
TOM:  What was I saying!  Don't you see?  We gotta negotiate.
SADIE:  Negotiate?
TOM:  We shoot at them, they shoot back at us!  That's just bad business!
TOM:  Hey!  Hey aliens!  We're in here!  We want to surrender!
MIKE:  Settle down, you idiot!
SADIE:  Tom, don't you get it?!  The friendly Covenant aren't the ones doing
all the shooting!
TOM:  To hell with demographics!  This is a down market!  Time to bargain if
you want to make the sale.
[SOUND:  Tom opens the Olifant's top hatch.]
TOM:  You!  Yeah, you in the tank!  Over here!
SADIE:  Close the hatch!
MIKE:  Leave him Sadie.  I'm opening the back hatch.  We're out of here.
[SOUND:  Mike opens the Olifant's ramp.]
TOM:  That's right!  Up here!  Let's say you and me make a deal?
SUPERINTENDENT: (from PA) DON'T WALK! DON'T WALK!
MIKE:  Sadie!  It's a Wraith!  Move!
SADIE:  Where to?
MIKE:  Alleyway!  Come on!
SUPERINTENDENT:  Clear the street!  Oncoming traffic!
[SOUND: Wraith round hits the Olifant, killing Tom.]
SADIE:  Surrender accepted.
Circle 7, Arc 1
[SOUND:  The Olifant burns in the background.]
MIKE: (running) That Wraith blew the hell out of our Olifant!
SADIE: (running) Poor Tom...
MIKE:  Poor Tom?!  He almost got us killed!
[SOUND: Rain begins to fall.]
MIKE:  Now what?
SADIE:  Stay out of sight, find a kiosk.  My dad's in the data-center under
the ONI building.
MIKE:  Basically right at the heart of the Covenant occupation.
SADIE:  We are going to need Vergil's help getting him out of there.
MIKE:  Here.  Take my jacket.
SADIE:  I don't mind the rain.
MIKE:  It's fiber-armored.  I mind you getting shot.
SADIE:  Thanks.
KIOSK: (from speaker) Optican, health care on demand.  Please place your
hand on the touch pad-- (distortion) 
SADIE:  Vergil, get me dad.
SUPERINTENDENT: (from kiosk) ELEVATED HEART-RATE.  ARE YOU FEELING ANXIOUS?
STRESSED?
SUPERINTENDENT:  TRY OPTICAN’S NEWEST MOOD-SETTLING DRUG "STATENIZOL."
SADIE:  And stop playing doctor!
DR ENDESHA: (from kiosk) Finally, a kiosk with a camera!  Now I can see that
you are alright.
DR ENDESHA:  But why are you dressed like a police officer?
SADIE:  It's Mike's. (to Mike) Say hello.
MIKE: (clears his throat) It's good to meet you Doctor Endesha.
DR ENDESHA:  You know... You are the first young man Sadie's ever 
introduced me too.
SADIE:  Dad?!
[SOUND:  Engineer sound followed by Vergil's imitation.]
SADIE:  What's Vergil doing?
DR ENDESHA:  Learning to whistle!
MIKE:  Whistle?
DR ENDESHA:  So he can communicate with the tentacle aliens!
SUPERINTENDENT:  STRESS HARMS RELATIONSHIPS.  GOOD COMMUNICATION AND GOOD
MEDICINE CAN HELP.
SADIE:  We just meet a guy that tried the whole 'communicate' with the enemy 
thing.  It didn't work so well, Dad!
DR ENDESHA:  These new aliens are different.  Inquisitive, not violent.
They are searching for something under New Mombasa.  I'm sure of it!
DR ENDESHA:  And if Vergil can learn to speak with them, we'll be able to
determine whether or not they can-- (static)
SADIE:  Dad!
PROPAGANDA: (from PA)  Attention citizens!  The enemy has infiltrated our
data systems!
SUPERINTENDENT:  IRREGULAR PULSE.  HEART RATE FALLING.  REPORT TO THE
NEAREST-- (static)
SADIE:  Vergil!
PROPAGANDA:  All civilian chatter is restricted!
SADIE:  No!
MIKE:  Whoa-whoa!  Calm down!
SADIE:  They killed him!
MIKE:  Who?
SADIE:  The police! They just pulled Vergil's plug!
MIKE:  No way.  The whole city would shut down.  The evacuation would ground
to a halt.  No one would be crazy enough to--
SADIE:  No one?!
MIKE:  Aww crap...
Circle 7, Arc 2
[SOUND:  Rain and distant thunder.]
MIKE: (running) Police Headquarters!  Straight ahead!
SADIE: (running) How does a level one blackout work?  How do we bring Vergil
back?
MIKE:  Emergency Communications department.  But we can't just--
SADIE:  Kick down the door?  Plug Vergil back in?
SADIE:  You bet your ass we can!
MIKE:  Sadie!  Wait!
SADIE:  Here's a directory...  Emergency Comms.  Fourteenth Floor.
Elevators are--
MIKE:  Hold up!  Look... the lobby's all shoot up.  And over by the 
elevators...
SADIE:  Are those cops?
MIKE:  All dead.  Probably a Brute kill-squad...
MARSHALL:  Howdy, folks.
SADIE:  ...Or not.
MARSHALL:  Sorry about the mess.  Since it appears we are all going straight
to hell today...
MARSHALL:  I figured I'd send some of my old pals on their way myself.
MIKE:  Listen, buddy.  We don't want any trouble.
SADIE:  We just need to get upstairs--
MARSHALL:  Stay right where you are!
MARSHALL:  Here comes another one now...
[SOUND:  Elevator appears.  Jim walks into the lobby.]
JIM: (into Chatter) Mmm-hmm...  Yeah.  I don't know why they shut the Super
down.  We'll keep broadcasting as long as we--
MARSHALL:  Hey there, Jim bo!
JIM:  What the...  Officers down!  There may be Covenant--
MARSHALL:  Come now.  Get off your Chatter and pay attention.
JIM:  Marshall?  What are you doing here?  Didn't you get fired?
MARSHALL:  Remember how often I asked you not to use my half-and-half?  And
remember how often you didn't listen?
JIM:  You?  You did this?!
MARSHALL:  Should have stayed in the elevator, Jim.
JIM:  No!  Please!
MARSHALL:  I wrote! (fires) My name! (fires) Right there on the carton! 
(fires)
JIM: (dying gurgle)
MIKE:  Sadie, let's go.
MARSHALL:  According to this department, I have issues with anger
management...
MARSHALL:  If I we're you?  I'd stay right where you are.
Circle 7, Arc 3
[SOUND:  Marshall reloads his rifle.]
MARSHALL:  You two are my hostages.  Sit tight, or you're gonna end up like
these old buddies of mine.
SADIE:  Mike, we have to get upstairs --  turn Vergil back on!
MARSHALL:  No talking!
MARSHALL:  You work for the NMPD?
SADIE:  Uh...
MIKE:  No.
MARSHALL:  Oh yeah?  Where did you get the jacket?
SADIE:  I stole it.  From the trash.
MARSHALL:  A thief, huh?  Got a record, you little punk?
MIKE:  Look.  Why don't you put down your rifle and--
MARSHALL:  Why don't you shut your goddamn mouth!
[SOUND:  boots in the stairwell.]
MARSHALL:  Hear that?  SWAT pussies finally woke up.  They'll be wearing
body armor, so you have to take the head-shot.
MIKE:  Get down, Sadie!  Now!
[SOUND:  SWAT officer kick-opens the stairwell door.]
SWAT COP:  Drop your weapon!
MARSHALL:  Come and get it! [fires]
SWAT COP: (dying gurgle)
SWAT COP:  Damnit!  Take him down!
SWAT COP:  Cover me!
SWAT COP:  Man down!  Man down!
SWAT COP:  We're blocked in!
[SOUND:  SWAT cops and Marshall exchange heavy fire.]
SWAT COMMANDER:  Bang and clear!
[SOUND:  SWAT commander tosses a flash-bang grenade.]
MARSHALL: (screams) My eyes!  Awww, you lousy sons of bitches--
[SOUND:  Marshall dies in a hail of bullets.]
SWAT COMMANDER:  Got him!  Suspect down!
MIKE:  Sadie?  Sadie?!  Are you, OK?
SWAT COMMANDER:  You!  Hands where I can see them!
MIKE:  Don't shoot!  I'm NMPD damnit!
SWAT COMMANDER:  Let me see your badge!  Nice and slow!
SADIE:  The whole city's crawling with Covenant, and we're killing each
other.
MIKE:  Here, see!  Metro pee-dee!
MIKE:  I need to get her to the fourteenth floor.  It's an emergency!
SWAT COMMANDER:  OK.  Take her up.  We'll deal with this mess...
SADIE:  There must be a dozen bodies here...
MIKE:  We can't save them, Sadie.  But we can save Vergil.
MIKE:  We have to go.
Circle 8, Arc 1
[SOUND:  Sadie and Mike running up the stairwell.]
MIKE:  Emergency Comms.  Fourteenth floor.  Should've taken the 
elevator...
SADIE:  After what just happened?  I don't think so.
MIKE:  So... what exactly are you going to say to make them re-initialize
Vergil?
SADIE:  I'll think of something.
MIKE:  'Hi!  I'm cute!  Break the law for me!'
SADIE:  That's not funny!
MIKE:  I'm just saying... It worked on me...
[SOUND:  Police communications officers type and answer phones.]
COMM COP:  Still no Covenant activity outside the city!
COMM COP:  I need a medivac!  Nyali bridge!
COMM COP:  I've got three more evac points at 200% capacity!
COMM COP:  Somebody answer that damn Phone!
MIKE:  Where's the duty officer?
COMM COP:  Big desk.  At the back.
MIKE:  Thanks.
COMM COP:  No way we can get everyone out!
COMM COP:  Reports of another riot starting at Kikowani!
COMM COP:  I need someone else to man these comm lines!
DUTY OFFICER: (talking into chatter) As I've been trying to tell you 
Captain, I don't have the authority to override--
DUTY OFFICER:  What do you mean 'gross misconduct?'  Captain Dare, I assure 
you.  People are dying down here!
SADIE:  Excuse me....
DUTY OFFICER:  Yes, of course I could turn the Superintendent back on.  But
Commissioner Kinsler gave me explicit instructions-- 
SADIE:  You're busy, so I'm just going to borrow this stapler...
DUTY OFFICER:  Listen, Captain, there is a Covenant carrier hovering
outside my window!
DUTY OFFICER:  There's a sniper in my lobby and you're threatening to have
me fired!? [Slams chatter into desk.]
DUTY OFFICER:  Office of Naval Intelligence.  Now there's a contradiction
in terms...
DUTY OFFICER: (Sees Sadie and groans) What do you want?
SADIE:  I need you to turn Ver-- the Superintendent back on.
DUTY OFFICER:  Not you, too!  I am telling all of you, the commissioner--
SADIE:  I know.  But I'm making you do it!  At gunpoint!
DUTY OFFICER:  What gun?
SADIE:  This one!
DUTY OFFICER:  You're holding my stapler inside your pocket and pointing it
at me.
SADIE:  You don't know that.
MIKE:  It might be a gun.
SADIE:  Or a rifle!
MIKE:  Or a rocket launcher!
SADIE:  And if it was, why, you would have to turn the Superintendent back
on.
MIKE:  Nobody could blame you.
SADIE:  Or fire you...
DUTY OFFICER:  If it was a gun...
DUTY OFFICER:  Oh, no...  Please don't shoot.  I'll do.. anything!
SUPERINTENDENT: (Loud Engineer whistle) SADIE! SADIE! SADIE! SADIE! SADIE!
SADIE:  It's OK, Vergil.  I'm here.
MIKE:  He sounds...different.
SADIE:  Vergil?  What have those aliens done to you?!
[SOUND:  Loud Engineer whistle.]
Circle 8, Arc 2
[SOUND:  Loud Engineer whistle.]
COMM COP:  You hear that crazy noise?!
COMM COP:  No clue.  Must be a corrupted signal!
COMM COP:  We've lost the connection with the UNSC orbital command!
MIKE:  Sadie, what's going on?!
SADIE:  I don't know.  Those aliens have been working on Vergil and now that
he is back on he sounds...
MIKE:  ...Different.
SADIE:  Vergil?  It's still you, isn't it?
SUPERINTENDENT: [barks like a dog]
SADIE:  Can you get Dad for me?
SUPERINTENDENT: [frightened Engineer whistle.]
SADIE:  Vergil can't reach him!  Something's wrong...
PROPAGANDA: (from PA) Reports are coming in from all over the city!
Covenant forces are pulling back in the face of furious resistance!
MIKE:  Man, I have had it with his crap!
PROPAGANDA:  Our enemies are cowards!  Battle on, brave citizens, and 
victory will be ours!
MIKE:  Hang on... That's coming from inside the building!
SADIE:  Mike?  Wait!  Where are you going?
PROPAGANDA:  This hour we will pay tribute to our fallen heroes.  Jim Odingo
Roberto Burstomenta and Marshall Glick.
MIKE:  This is his office.  Public Service Announcements Division...
PROPAGANDA:  These officers were gunned-down in the very lobby of this
building by Covenant snipers.
PROPAGANDA:  But moments ago members of our citizens militia wiped out the 
sniper nest with a homemade flame-thrower...
PROPAGANDA:  Made from nothing more than an old leaf blower and a can of
gasoline!  Keep fighting, Mombasa!  Fight and we will win!
[SOUND:  Stephen turns-off his microphone.]
STEPHEN:  Off the air...
MIKE:  Covenant Sniper nest?  Those people were massacred by a crazy ex-cop!
Hell, one of those people was the crazy ex-cop!
STEPHEN:  And your point is?
MIKE:  People are dying out there and you're feeding them this...this 
garbage?  None of it is true!
STEPHEN:  Yes, well... [Stubs out cigarette.]
STEPHEN:  Some days, truth really isn't a luxury we can afford.
Circle 8, Arc 3
SADIE:  Come on Mike... He's a propaganda officer.  He's just doing his
job.
MIKE:  His job?!  More like lying to people for a living!
STEPHEN:  Do you know who is still listening to my announcements?  An old
women, to weak to leave her bed...
STEPHEN:  A man, bleeding in the street. A teacher, hiding with her students 
in the school's basement.
STEPHEN:  They are all going to die.
MIKE:  Maybe, maybe not.  The marines will be here soon...
STEPHEN:  They are all going to die!
STEPHEN:  My job before they die is to fill their life with truth... with
hope.
STEPHEN:  But maybe you can do better... [Exhales cigarette smoke.]
STEPHEN:  On the air... [Turns-on microphone.]
STEPHEN:  A special honor, New Mombasa!  I have here in studio uprising
Commander Harris "Two Shot" Kabaki.
STEPHEN:  Commander, tell our listeners the latest news from the city center.
STEPHEN:  Commander?  Go ahead.  Speak the truth.
MIKE:  Well, things aren't as good as they could be.  But they're looking
up.  We're... we're fighting hard.
STEPHEN:  Good to hear it!  Any words of advice, Two Shot?
MIKE:  Just... keep fighting.  We can win this battle if we stick together.
We can save this city.  We can win this war.
[SOUND:  Stephen turns-off his microphone.]
STEPHEN:  Off the air...  Now, you are also a hero.
SADIE:  You are, you know.
MIKE:  I feel sick.
STEPHEN:  No.  What you feel is hope.
[SOUND:  Stephen's control-console chirps.]
STEPHEN:  Ah, See!  You already have an admirer!  
STEPHEN: (hitting a switch) Go ahead.  You are on the line with Harris 
"Two Shot" Kabaki.
KINSLER: (from console) That was truly inspiring Officer Branley.  Sadie
must be very impressed.
SADIE:  Kinsler!
KINSLER:  But I think she will be much more interested in this...
KINSLER:  Sadie.  I now control the fire fighting systems in your father's
lab.  If you want to see him alive again...
KINSLER:  You'll do exactly as I say.
Circle 9, Arc 1
[SOUND:  Sadie and Mike run down a broken escalator.]
SADIE:  Kinsler told me to meet him at the train station.  That's what I am
going to do.
MIKE:  Come on Sadie.  You can't trust him!  You know that!
SADIE:  My father is still in Vergil's data-center.
MIKE:  I've been listening to your dad all day.  And the one thing he 
wouldn't want you to do?  Put yourself in even more danger by--
SADIE:  You're not listening at all!  Kinsler said he'd trigger the
emergency fire response!
MIKE:  And that will -- ?
SADIE:  Flood the data center with argon!
MIKE:  Can people breath argon?
SADIE:  No, Mike.  It freezes you!  Dead!
MIKE:  Look, I didn't know.  I'm sorry.
SADIE:  Vergil?  Are you there?
SUPERINTENDENT: (from PA) [Engineer whistle.]
MIKE:  I know that look...  What's your plan?
SADIE:  Escalation.
Circle 9, Arc 2
[SOUND:  Frightened civilians crowd the station.]
CROWD:  Out of my way, I'm getting on that train!
CROWD:  Not before me you're not!
CROWD:  There's not enough room!
CROWD:  My wife, has anyone seen my wife?!
CROWD:  There getting closer, we have to go!
KIOSK: (from speaker) Trans-bay express train now departing Kikowani
station.
KIOSK:  All passengers must depart from platform fourteen-- (distortion)
[SOUND: (from kiosk) Loud Engineer whistle.]
SUPERINTENDENT: PLEASE REMAIN CALM!  NO TICKETS -- NO PROBLEM! SLOW CHILDREN 
-- USE CAUTION!
SADIE:  Maybe dad was right...  The tentacle aliens he found?  I think they
are helping Vergil.  Bringing him back from the dead.
MIKE:  Why would they do that?
SADIE:  Dad said they were looking for something...  Something Vergil found.
SUPERINTENDENT:  KEEP IT CLEAN!  LEAVE ALL LUGGAGE ON PLATFORMS!
SADIE:  Maybe they're sick of fighting, just like us.  I don't know.
SADIE:  Dad would know the answer...
MIKE:  We'll ask him when we see him, OK?
SADIE:  OK.
MIKE:  Now where are you suppose to meet the Commissioner?
SADIE:  Platform nine.  He's got a private train.
MIKE:  I still think you should let me--
SADIE:  If I don't come alone, my dad will die!  Kinsler made that clear!
SADIE:  You and Vergil know what you have to do?
MIKE:  Yeah...
[SOUND:  Covenant plasma fire slams into the station, crowd panics.]
CROWD:  Mommy!  What's happening?!
CROWD:  I won't let them get me!  I won't!
CROWD:  Quiet!  You're scaring my children!
MIKE:  The Covenant are closing in!  People are panicking.  This is gonna
get ugly...
SADIE:  This day is a nightmare!  It all keeps getting worse!  Everything's 
falling apart!
MIKE:  Not everything.
SADIE:  Listen.  I know I'm just a girl who got you fired...
SADIE:  I might also be the girl that gets you killed!
MIKE:  Maybe.  But not today.
SADIE:  Mike... I want you to live.
SADIE:  I need you to live... For me.
Circle 9, Arc 3
[SOUND:  Covenant plasma fire slams into the station, crowd panics.]
CROWD:  Let us aboard!
CROWD:  The Commissioner’s got plenty of room!
CROWD:  And goons with guns...
CROWD:  At least take my children!
CROWD:  Selfish devil!  To hell with you!
SADIE:  Platform nine...
MIKE:  There's Kinsler's private train.  Guarded by corrupt cops with 
machine-guns.
SADIE:  I'm going in.  My father's life is on the line.
MIKE:  Be careful.
SADIE:  You too.
CROWD:  What?  Wait your turn!
SADIE: (pushing through the crowd) Excuse me!  Sorry!  Coming through...
CROWD:  Watch it, girl!  Quit shoving!
CORRUPT COP: [Shoots into the air.] Get away from the train!  You hear me!
Everyone back off!
KINSLER:  Steady, officer.  Not yet.
CORRUPT COP:  I can't hold the crowd back much longer, sir!
SADIE: (from crowd) Kinsler!
KINSLER:  You won't have to.  My passenger has arrived.
KINSLER:  This way, Sadie!  Push right on through!
CORRUPT COP:  Make some room!  Let her through!
CROWD:  Why does she get to come on board?!
CROWD:  It's not fair!  We all deserve to live!
CROWD:  Now's our chance!  Rush the train!
[SOUND:  Corrupt cops fire into the crowd.]
CROWD:  I'm hit!  Please... someone help!
CROWD:  Murdering bastards!
KINSLER:  Any other objections?
CROWD:  Why?!  Why?!
KINSLER:  Careful, Sadie, watch your step.
SADIE:  You ever worry there might really might be a hell?
KINSLER:  Oh I know there is, my dear.  And you and I are leaving it.
KINSLER:  Officer, close the doors.
CORRUPT COP:  Button-up men!  We're out of here!
[SOUND:  Train doors clanks shut.]
CROWD: (muffled)  Stop the train!  Block the tracks!
CROWD: (muffled) Jump for it!
KINSLER:  I don't want any of that on board!
CORRUPT COP:  Yes sir!
[SOUND:  Corrupt cops fire into the crowd.]
SADIE:  You can't just kill them!
KINSLER:  Why?  I'm getting quite good at it.  For instance...
KINSLER:  I killed your father an hour ago.
Circle 9, Arc 4
[SOUND:  Corrupt cops fire into the crowd.]
SADIE:  You... killed my father?
KINSLER:  My men near Vergil's data-center tripped the fire response system. 
He suffocated and froze.
KINSLER:  Not a bad way to go, all things considered...
KINSLER:  I wanted to tell you face to face.
SADIE: [Cries softly.]
KINSLER: (pouring a drink) Please, get all your tears out now.
KINSLER:  It's a long ridem and I don't want to hear you moaning all the way
to Nairobi.
KINSLER:  Well, come to think of it... I might.
CORRUPT COP #1: (on radio) No sign of it yet, sir.
KINSLER:  It's a pink, airborne octopus.  How hard could it be to find?!
CORRUPT COP #1:  The tunnels are crawling with Buggers, Commissioner.  We've
lost a lot of men.  Maybe we should--
KINSLER:  No one leaves until I get that alien!  Do you hear me, officer?
KINSLER:  It found a way to hack a Superintendent-class A.I.!  Knowing how
it did that is vital to the war effort!
SADIE:  Like you ever cared about anyone besides yourself!
KINSLER:  Just because I'm a murderer, doesn't mean I am unpatriotic.
[SOUND:  Covenant plasma fire hits the station, rocking the train.]
CORRUPT COP #2:  Covenant armor approaching the station sir.  What do we do?
KINSLER: (slamming his drink) We wait!
KINSLER: (sighs) Don't you see the beauty of it, Sadie?  Whatever you think
of me, whatever I have done...
KINSLER:  I will leave this city with vital intelligence about the Covenant.
SADIE:  Bastard!
KINSLER:  Call me what you like...
KINSLER:  But the world will call me a hero.
Circle 9, Arc 5
[SOUND:  Corrupt cops fire into the crowd.]
MIKE: (muffled) Listen to me!  The Covenant are coming!
CROWD: (muffled) [Angry shouts and panicked screams.]
MIKE: (muffled) Listen to me if you want to live!
KINSLER:  I've killed your father, Sadie, and now we're leaving the city.  
No one is coming to save you.
KINSLER:  Not Branley.  Not Vergil.  It’s the end of the line!
[SOUND: (from train) Engineer whistle.]
[SOUND:  Sparks fly from the train's control-panel.]
KINSLER:  What the hell is that?!
SUPERINTENDENT: (from train) WARNING, FIREWALL DOWN! CONTROL-CIRCUITS NOW 
OPEN TO REMOTE ACCESS!
KINSLER:  That damn machine is dead!  I killed it!
KINSLER:  It doesn't matter.  Anything he does to this car happens to you too!
MIKE: (muffled) Are you ready to die?
CROWD: (muffled) No!
MIKE: (muffled) Do you want to live?
CROWD: (muffled) Yes!
MIKE: (muffled) Are you ready to fight?!
CROWD: (muffled) Yes!
[SOUND:  Crowd pushes past the cops, pounds on the train.]
SADIE:  That's it, Mike!
CORRUPT COP:  We need to move now, sir!
KINSLER:  Yes...go...  The rest of your men will have to--
SADIE:  Die?
CORRUPT COP:  Sir?  We aren't moving.  I've lost engine control!
KINSLER:  Listen to me, Vergil, or whatever you are now!  Move this train out
of the station or Sadie dies!
KINSLER:  You hear me?  The Covenant will kill us all!
[SOUND: (from train) Angry Engineer whistle.]
CORRUPT COP:  I'm locked-out the system!  The train is not responding!
KINSLER:  There is nothing you can do that will hurt me that won't kill her!
SADIE:  Almost nothing...
SADIE:  Vergil.  Open the doors.
[SOUND:  Train's doors open, the angry mob claws inside.]
KINSLER:  What?  No! No! Get back! Get back! Get away from me!
[SOUND:  Furious, blood-thirsty shouts.]
KINSLER: [screams as the crowd tears his apart.]
Circle 9, Arc 6
[SOUND:  Crowd climbs onto the train.]
CROWD:  Let's go!  Covenant's coming!
CROWD:  Up we go, baby!  Hold momma's hand!
CROWD:  Help her up, c'mon, there we go!
MIKE:  Sadie!  Sadie!  Are you alright?
MIKE:  What about Kinsler?
SADIE:  They tore him to pieces... I gotta go, Mike!
SADIE:  Excuse me!  Sorry!  Let me through!
MIKE:  Where are you going?!
SADIE:  Underground!
MIKE:  What!?
[SOUND:  Covenant plasma fire slams into the station.]
SUPERINTENDENT: (from PA) DO NOT EXIT, PLEASE!
MIKE:  Sadie, stop!  We are getting on that train, and getting the hell out
of town!
[SOUND: (from PA) Engineer whistle.]
SADIE:  That creature helped Vergil!  It helped you and me!  It helped all
of us!
MIKE:  Sadie...
SADIE:  Dad knew how important it was!  That's what he died for!  I'm willing
to die too!
SADIE:  Let me go, Mike!
SUPERINTENDENT: [Engineer whistle.] EMERGENCY STOP!
SUPERINTENDENT: (as Jonas) 'I am not worth -- your life -- my brave warrior 
princess!'
SADIE:  If you don't find you, who will?
SUPERINTENDENT: (as Duty Officer) 'Office of Naval Intelligence--'
SUPERINTENDENT:  YOUR TAX DOLLARS AT WORK!
SUPERINTENDENT: (as Stephen) 'Fallen heroes -- on the air.'
SADIE:  Vergil, I--
SUPERINTENDENT: (as Sadie) 'I need you to live... for me.'
CROWD:  Get on the train, you two!
CROWD:  Brutes!  Coming this way!  Hurry!
CROWD:  No time!  Argue later!
MIKE:  We gotta go.
SADIE:  Vergil!  You're all I have left of this place!
SUPERINTENDENT: (as Dr Endesha) 'Sadie-- Sadie-- Sadie-- Sadie!
SUPERINTENDENT: (as Dr Endesha) 'Sadie, sweetheart... You make me very, 
very proud.'
SADIE:  You're all I have left of him...
MIKE:  Sadie.  Take my hand.
SADIE:  OK...
SADIE:  I'm ready.
[SOUND:  Train whistles as it leaves the station.]
SUPERINTENDENT:  ALL ABOARD!  LAST TRAIN NOW DEPARTING!
SUPERINTENDENT:  NEXT STOP-- MAKUPA, NAIROBI ROAD, HOPE STATION...
SUPERINTENDENT:  And beyond.
[SOUND:  Final train whistle and a Vergil chime.] 
</toggledisplay>